Japan, Experimental, Field Recording, Japanoise, Avant Garde, Lo-fi, Juntaro, Gerogerigegege, Rare; CD (1994) - Ex Used condition
As with most Gerogerigegege releases, this one is another rare as shit Japanoise oddity. This release is one of the most eerie and haunting pieces of music juntaro ever bothered recording. It is also probably one of the gerogerigegege's most unique albums available to interested experimental Japanese music consumers. Apparently, the given description from the (Japanese) liner notes states that the entire cd is pretty much just a field recording of a drunk homeless japanese man rambling over the sounds of an incredibly distant piano. Probably the quietest work done by the group, its often thought to have been either a long winded work of social commentary, or a piece of music that Juntaro created for or about his mother, who was supposedly a rather famous japanese classical pianist. This original 1994 release CD has cover art consisting of 2 paragraphs written in japanese next to a black and white photograph taken by Juntaro of 2 little kids wearing rabbit masks in an unknown village. The back cover has a picture of a horse. This CD, although being quite stark and distant, is also rather unnerving. File under 'Uneasy Listening'.
Free Jazz, Space Jazz, Psychedelic Jazz, Sun Ra, Improv, Space, Psych, Cassette, Orb Tapes - New
In November 1964, a number of New York musicians (including Sun Ra) formally banded together as the Jazz Composers Guild. Under JCG sponsorship, the series “Four Days in December” ran from December 28 through 31 at Judson Hall. Sun Ra and his Arkestra appeared on the 31st, along with the New York Art Quartet.
All of the music from the Four Days in December series was recorded by the JCG for its own label; a December 1964 announcement in Down Beat indicates that a sampler LP was planned as the first release. However, the Guild broke apart early in 1965, so this never came to pass. Later there were plans (again abortive) to issue the concerts on the Fontana label. Almost a dozen years later (1976), Sun Ra issued the LP "Featuring Pharoah Sanders and Black Harold" [comprised of tracks 6–11 of this digital edition].
Ahmed Abdullah (and the first edition of The Earthly Recordings of Sun Ra) gave the location and date as Cellar Café, New York City, June 15, 1964, but this cannot be right because at that time tenor saxophonist John Gilmore was still in the Arkestra. [Gilmore left the Arkestra in summer 1964 to go on tour—as Wayne Shorter's replacement—with Art Blakey and the Jazz Messengers; Gilmore is not on the Judson Hall dates.] The album serial number ["JHNY 165"] was clearly meant to indicate a concert at Judson Hall, New York City, in January 1965, and a copy in Alden Kimbrough’s possession bears the title Live at Judson Hall written on the cover in longhand. On Kimbrough’s copy Pharoah Sanders’ name is written on the label for Side A and Black Harold’s is written on Side B. The January '65 date seems to be a slightly inaccurate reference to the Four Days in December concerts. (1968 is incorrectly given as the date in some discographies.)
Basic personnel derived from a list given by members of the Arkestra to Bob Rusch. However, they forgot about Robert Northern. A review of Four Days in December by Don Heckman (Down Beat, February 11, 1965) gave a slightly different personnel list that referred to Pharoah as “Farrell Saunders,” added Ronnie Boykins (bass) and Jimmy Johnson (drums), and subtracted Cummings (bass clarinet) and Northern (French horn). Most likely Heckman was relying on a printed program (always dangerous with the Arkestra—there is no audible evidence that Ronnie Boykins was there, whereas Cummings and Northern definitely were). Heckman mentioned the titles “Other People’s Worlds” and “Water Lilies on Mars.” A.B. Spellman’s review of the concert indicates that “Water Lilies on Mars” was sung—which means it was not included on the 1976 Saturn LP. The Arkestra and the New York Art Quartet split the evening; the concert began no earlier than 8pm and finished at midnight. Most likely, then, some material from the Arkestra’s set remains unissued. [N.B. The full performance is included on this digital release.]
British discographer Mike Hames also mentioned a “Space Mates” from this session, but this was included on the LP (thanks to Julian Vein for this information). In the first edition of The Earthly Recordings, the Heckman and Hames information was thought to describe a different recording and was listed as a separate session.
According to Ra biographer John Szwed, Black Harold (or, as he was known in 1964 and identified by Heckman, Sir Harold) was formerly known as Harold Murray. He also played a large drum with the Arkestra (considerably larger than Jacson’s Ancient Egyptian Infinity Drum; regrettably, it does not appear on any known recordings). Harold also recorded in 1968 (as Sir Harold) with Galt MacDermot and (as Black Harold) with Big Black. According to Donald Leigh, he later changed his name to Brother Atu, and still later appeared as Atu Murray. Obviously a believer in having many names.
[Adapted from The Earthly Recordings of Sun Ra, 2nd ed., 2000, by Robert L. Campbell and Christopher Trent]
Recorded at Judson Hall, New York on December 31, 1964, as part of the Jazz Composers Guild's Four Days In December festival
Sun Ra: piano, celeste
Pharoah Sanders: tenor sax
Marshall Allen: alto sax, flute, percussion
Danny Davis: alto sax, flute, percussion
Pat Patrick: baritone sax
Robert Cummings: bass clarinet, percussion
Teddy Nance: trombone
Bernard Pettaway: trombone
Robert Northern: French horn
Al Evans: trumpet, flugelhorn
Chris Capers: trumpet
Alan Silva: bass
Clifford Jarvis: drums
Black Harold [Harold Murray]: flute, log drum
Art Jenkins: space voice, percussion
Mastered by Michael D. Anderson of the Sun Ra Music Archive from the master tapes
Japanese, Psych, Psychedelic, Japan, Guitar, Rock, Heavy, Rare, Import; 2xCD set - Ex Used condition
While the Sundays & Cybele of today is a very contemporary creature, integrating influences from both the then, and the now, "Gypsy House" reveals a band revelling in the trappings of the late sixties to the extent that it could quite convincingly be passed off as an artifact from that time. Group leader Kazuo Tsubouchi has stated in interviews that one of the main goals that he hopes to achieve through Sundays & Cybele's music is an increased awareness of classic Japanese psychedelia, and "Gypsy House" should certainly pique the curiosity of younger listeners, who haev yet to discover the delights of Blues Creation, Speed, Glue & Shinki and the likes. And likewise, listeners who are already fans of those artists will freak out when they hear this. A six track release, trimmed down from a longer digital release, this more streamlined version of the album is a heavy psych-lovers dream, with an exremely pronounced Jimi Hendrix influence, which I've rarely heard done better, aside from the maestro himself of course. Led by Kazuo Tsubouch's inspired guitar work, these six tracks have an average running time of around seven minutes, but never show signs of floundering. It's rare to hear a record where the jamming is this focussed. Tsubouchi's guitar takes the lead here, more often than the vocals even, with "Saint Song"s electric slide playing providing one of the album's most memorable riffs - think David Gilmour's playing on "One of these Days" given a kick in the pants. Psychedelic guitar lovers will be in absolute Heaven with this album.
Prog, Progressive, Robert Fripp, Art rock, Live, Box Set, Essential, Rare; 4CD + 72 page book Box Set - Ex Used condition
"The Great Deceiver" is an edited collection of tour material 1973-1974. Almost five hours of 47 selections are included in a handsome box, with a 72-page booklet full of relevant information. Many of the cuts are 9-12 min. long, with 4 around a minute. This means long, extended plays giving David Cross, Robert Fripp, John Wetton, and Bill Bruford plenty of space to stretch out in. There is a fifteen-minute song "A Voyage To The Center of the Cosmos," which will be sure to please. King Crimson's strongest line-up, they were even better on stage and this box set is perhaps the best representation of that, making it an essential purchase for King Crimson fans.
Powell, Powell Peralta, Bines Brigade, Skate, Vintage, Classic; VHS Tape - Excellent Original Used condition
Quite rare and relatively forgotten Virgin/Powell Peralta/Bomb the Bass, music/skate video from 1989. This is a really great skate vid, and even though it's only just under 20 minutes long, it is highly regarded as a classic. This is not considered in the Powell video catalogue, or a Powell film. Filmed by legend CR Stecyk and features Bones Brigade and Powell skaters form 1989 before (Per Welinder, Frankie Hill, Tony Hawk etc), including clips from other Powell videos.
Drone, Doom, Ambient, Noise, Experimental, Full Of Hell; 12" 180g Vinyl (Limited Edition 150 copies) - New Sealed w/- TVISB sticker
Existential doom/drone/noise music from Melbourne (the void is so bleak) with (B side) remix by Dylan Walker from US grind/sludge/noise legends Full Of Hell. This is very limited and painfully heavy......
Derek Bailey, John Zorn, Steve Lacy, Max Roach, Evan Parker, Imrovised Music, Improv, Jazz, Experimental; Paperback Book - VG Used condition (book has some discoloration and creases/dog ears)
Derek Bailey's Improvisation, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms--Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers--including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott--Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.
Sun Ra, Afro-futurism, Jazz, Free Jazz, Psychedelic, Historic, Documentary, Avant-garde; Paperback Book (314 pages) 2020 - New
Sun Ra (1914–93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra’s Chicago, William Sites brings this visionary musician back to earth—specifically to the city’s South Side, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.
Melbourne, Electronic, Experimental, Minimal, Synth, Cleopatra Records, Rare, Sacred Cowboys, Cybotron, Einsturzende Neubauten - Ex original used condition.... Rare and awesome!
The Metronomes were an obscure legendary minimal synth band from Australia. The group was an integral part of the early electronic music scene in Australia and their releases have become collector's items in Europe, as they are mostly impossible to find. The Metronomes first appeared in Melbourne in 1979 and initial members were rock journo/synth player Al Webb, bass player Andrew Picouleau (Secret Police, Sacred Cowboys) and synth-pioneer Ash Wednesday, nowadays a live tour member of Einstürzende Neubauten. Al himself will admit later that Ash's ingenuity in creating something out of very little was the key to the Metronomes sounding as "produced" as they did. The first full-length Multiple Choice was recorded in the winter of 1980, using Roland Strings, a mini-Korg, some Arp synthesizers and a Boss Dr-55 -- a drum machine that was intensively used by many minimal synth bands during the '80s. This debut full-length Multiple Choice was recorded in the winter of 1980, using Roland Strings, a mini-Korg, some Arp synthesizers and a Boss Dr-55 -- a drum machine that was intensively used by many minimal synth bands during the '80s
Australian, Dark Ambient, Experimental, Drone, Various Artists, Noise; CD, Booklet + Sticker - New
Australian Dark Ambient/Experimental/Drone V/A release from 2012 featuring: Rohkontrol, Voidhanger, Rotteur, Grist, Abre Ojos, Rohkontrol Released in printed cardboard zine, with postcard, sticker and printed matter. RARE!
Vintage, Japanese, ULTRAMAN, Gatefold, Vinyl Record LP - Ex Used condition
Japanese review translated to English: I once saw “Ultraman 80" itself when I was a kid, songs are used, and when listening to the theme music collection of Ultraman 80, I recall Ultraman 80 at that time And while feeling nostalgia, I am immersed in it.
Rare, Film Score, Cult, Horror, Serial Killer, OST, Soundtrack, Gatefold; Picturedisc 12" Vinyl - Ex Used condition
This cult film score byRobert McNaughton, Steven A. Jones, and Ken Hale features primitive synth drones, ambient electronic cues, hard pounding drum machines, warbling synth bass, bar room jukebox rock ’n roll, and dialogue tracks. This is an original 1991 PICTUREDISC release and includes gatefold cover and fold-out movie poster! Fucken deluxe......
