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REPTILE WORSHIP: Alpha Draconis; Limited/Numbered Cassette (2009)

$55.00
Rare, Dark Ambient, Noise, Experimental, Electronic; Limited Edition, Numbered Cassette - Ex Used condition Limited to 60 hand-numbered copies.  Labeled tape comes in an oversized card cover packaged in a ziplock bag.
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SCATMOTHER / WONDERLAND CLUB: Split; Cassette (2017)

$45.00
Power Electronics, Noise, Experimental, Limited Edition, Cassette - Ex Used condition Comes in a handmade oversized package. Includes insert and lyric sheets.
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SUN RA: with PHAROAH SANDERS & BLACK HAROLD; Cassette (Orb Tapes USA) 2021 re-issue

$15.00
Free Jazz, Space Jazz, Psychedelic Jazz, Sun Ra, Improv, Space, Psych, Cassette, Orb Tapes - New In November 1964, a number of New York musicians (including Sun Ra) formally banded together as the Jazz Composers Guild. Under JCG sponsorship, the series “Four Days in December” ran from December 28 through 31 at Judson Hall. Sun Ra and his Arkestra appeared on the 31st, along with the New York Art Quartet. All of the music from the Four Days in December series was recorded by the JCG for its own label; a December 1964 announcement in Down Beat indicates that a sampler LP was planned as the first release. However, the Guild broke apart early in 1965, so this never came to pass. Later there were plans (again abortive) to issue the concerts on the Fontana label. Almost a dozen years later (1976), Sun Ra issued the LP "Featuring Pharoah Sanders and Black Harold" [comprised of tracks 6–11 of this digital edition]. Ahmed Abdullah (and the first edition of The Earthly Recordings of Sun Ra) gave the location and date as Cellar Café, New York City, June 15, 1964, but this cannot be right because at that time tenor saxophonist John Gilmore was still in the Arkestra. [Gilmore left the Arkestra in summer 1964 to go on tour—as Wayne Shorter's replacement—with Art Blakey and the Jazz Messengers; Gilmore is not on the Judson Hall dates.] The album serial number ["JHNY 165"] was clearly meant to indicate a concert at Judson Hall, New York City, in January 1965, and a copy in Alden Kimbrough’s possession bears the title Live at Judson Hall written on the cover in longhand. On Kimbrough’s copy Pharoah Sanders’ name is written on the label for Side A and Black Harold’s is written on Side B. The January '65 date seems to be a slightly inaccurate reference to the Four Days in December concerts. (1968 is incorrectly given as the date in some discographies.) Basic personnel derived from a list given by members of the Arkestra to Bob Rusch. However, they forgot about Robert Northern. A review of Four Days in December by Don Heckman (Down Beat, February 11, 1965) gave a slightly different personnel list that referred to Pharoah as “Farrell Saunders,” added Ronnie Boykins (bass) and Jimmy Johnson (drums), and subtracted Cummings (bass clarinet) and Northern (French horn). Most likely Heckman was relying on a printed program (always dangerous with the Arkestra—there is no audible evidence that Ronnie Boykins was there, whereas Cummings and Northern definitely were). Heckman mentioned the titles “Other People’s Worlds” and “Water Lilies on Mars.” A.B. Spellman’s review of the concert indicates that “Water Lilies on Mars” was sung—which means it was not included on the 1976 Saturn LP. The Arkestra and the New York Art Quartet split the evening; the concert began no earlier than 8pm and finished at midnight. Most likely, then, some material from the Arkestra’s set remains unissued. [N.B. The full performance is included on this digital release.] British discographer Mike Hames also mentioned a “Space Mates” from this session, but this was included on the LP (thanks to Julian Vein for this information). In the first edition of The Earthly Recordings, the Heckman and Hames information was thought to describe a different recording and was listed as a separate session. According to Ra biographer John Szwed, Black Harold (or, as he was known in 1964 and identified by Heckman, Sir Harold) was formerly known as Harold Murray. He also played a large drum with the Arkestra (considerably larger than Jacson’s Ancient Egyptian Infinity Drum; regrettably, it does not appear on any known recordings). Harold also recorded in 1968 (as Sir Harold) with Galt MacDermot and (as Black Harold) with Big Black. According to Donald Leigh, he later changed his name to Brother Atu, and still later appeared as Atu Murray. Obviously a believer in having many names. [Adapted from The Earthly Recordings of Sun Ra, 2nd ed., 2000, by Robert L. Campbell and Christopher Trent] Recorded at Judson Hall, New York on December 31, 1964, as part of the Jazz Composers Guild's Four Days In December festival Sun Ra: piano, celeste Pharoah Sanders: tenor sax Marshall Allen: alto sax, flute, percussion Danny Davis: alto sax, flute, percussion Pat Patrick: baritone sax Robert Cummings: bass clarinet, percussion Teddy Nance: trombone Bernard Pettaway: trombone Robert Northern: French horn Al Evans: trumpet, flugelhorn Chris Capers: trumpet Alan Silva: bass Clifford Jarvis: drums Black Harold [Harold Murray]: flute, log drum Art Jenkins: space voice, percussion Mastered by Michael D. Anderson of the Sun Ra Music Archive from the master tapes
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ILLUMINATIONS: Devadip Carlos Santana & Turiya Alice Coltrane; Cassette (1974)

$20.00
Original cassette release of this  Avant Free Jazz release from 1974 in Excellent used condition.

Of the handful of varying styles Santana recorded during his career, none reflects his nomadic musical exploration better than his 1974 collaborative LP with Alice Coltrane, Illuminations. The two came together very much due to Santana’s preoccupation with jazz, but both shared a common vision of expressing their spirituality through music. Coltrane’s musical path had been colored by spiritual exploration. She had explored Eastern spirituality and its music with her husband John Coltrane before carving out her own catalog of forward-thinking jazz. Santana’s own musical path also began in the San Francisco’s Mission District in the late 1960s – ground zero for free love and recreational drug use.  The resulting record is as strange and fascinating as the pairing would suggest, although Illuminations fits better within Coltrane’s varied catalogue. By the mid-1970s, Coltrane had already released a number of free-form records that married avant-garde jazz, gospel, blues and devotional Hindu music. For Santana, it’s a work that was completely incomparable to anything else he had ever done. None of his previous releases hinted at the improvisational release that was to follow.  Illuminations is the deepest Santana would ever delve into the world of jazz.  Santana explained years later in  Rolling Stone magazine, “This shit is not for me, I don’t care how enlightening it is.”

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SEA OF SHIT: 2nd EP; Cassette (2015)

$14.00
Hardcore, Grind, Noise, Shit-core, Chicago; Cassette (2015) - As new Brutal 2015 release from Chicago’s power violence battalion. Bitter resentment and rancor straining under a harsh suffocating wall of brutish noise. Ruined and invalidated by the mundane carnage of daily existence. The demise of hope.  Limited to 50 copies, this is the original cassette version from 2015  which was released as a 7" on Nerve Altar Records in 2016.
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GROTTO: Pink Sock; Demo Cassette (2015)

$15.00
Noise Punk, Noise Rock, Melbourne, Lo-Fi, Garage Punk, Hardcore; Limited Edition Cassette - As new This is the original 'Blowblood' release from 2015, limited to 50 copies - later re-issued in 2016 on 'Pissfart Records'.
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ALTERED VISIONS: Dread; Cassette (2017)

$15.00
Thrash, Death, Black, Grind, Punk, Metal, Melbourne; Cassette - As new Brilliant death/thrash from Melbourne, this cassette is the long sold out second release from this heavy thrash trio.  Cassette comes with glossy fold-out cassette card - a nice 7 track release for the black death thrash crowd....
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MOLLUSC: S/T; Cassette (2015)

$16.00
Dark Wave, Industrial, Experimental, Electronic, Post-punk, Melbourne, Self Released; Limited Edition Cassette w/- Download code - As new One of Australia’s most intriguing darkwave electronic acts, the tandem of Mohini Hillyer and Emma Hart as electro-tinged post-punk outfit Mollusc, has played a crucial role in defining and galvanising the growing darkwave scene in Australia, which has flourished in the latter half of the 2010s. Hypnotic and near-impenetrable in nature, the band’s 2015 debut EP is a sterling example of the power of the genre, blending a mixture of haunted industrial leanings, formidable throb-n-punch, a foreboding weight and simmering aggression. In six songs, Mollusc managed to take all the good bits of the genre and serve them up on a platter, setting a standard for the scene here in Australia.  This is the original 2015 cassette release, later reissued on vinyl through 'IT Records'.
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HELTA SKELTA: Parasite; Cassette (2010)

$10.00
Perth, Australia, Hardcore, Punk, Numbered; Limited Edition Cassette - New Perth hardcore punk band HELTA SKELTA released this limited cassette in 2010, featuring embers of NEGATIVE REINFORCEMENT, PRAG, PRIORS, BLKOUT, BREAK EVEN, JAWS, WARTHREAT, HUMAN NOTHING, DROWNING HORSE, COLD MEAT, NERVE QUAKES etc.  Edition of 50 hand-numbered cassettes with riso print covers.
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SICK PEOPLE: No Excuse; Limited Edition Cassette (2011)

$10.00
Brisbane, Hardcore, Punk, Limited Edition, Numbered, Demo; Cassette - New Brisbane hardcore punk outfit "Sick People" released this demo cassette on 'Delayed Response' in 2011.  This is the second dub limited to 100 copies (number 45).
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Yacøpsæ/Dirty Rotten Imbeciles: Split Live (Bootleg) Cassette (1998)

$35.00
Germany, USA, Punk, Hardcore, Split, Live, Bootleg; Cassette Release (1998) - Ex Used condition Rare German split Cassette featuring German Hardcore punk band Yacøpsæ, split with US hardcore legends DRI.  DRI tracks from two separate live shows in 1983 and 1984, contains and Yacøpsæ's first demo as well as a live set recorded in Hamburg in 1998. This is a rare bootleg cassette from 1998. Includes Xeroxed A4 size  fold out  cover slip loaded with lyrics and info.  
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BARY CENTER: Just Dust; Cassette (2016)

$7.00
USA, Experimental, Electronic, Techno, Noise; Cassette (New Body Label) with download code - New "...sounds like equal parts Ben Frost and Steve Reich, blended on an electric soundboard in hell. It is what I would expect to hear in the background if my life were a David Cronenberg film." -- TINY MIX TAPES
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