Paul Yore is one of Australia’s most thought-provoking and consequential multidisciplinary artists. Born in Naarm/Melbourne in 1987, he lives and works on Gunaikurnai Country in Gippsland, Victoria, and completed his studies in painting, archaeology and anthropology at Monash University in 2010. Yore’s work engages with the histories of religious art and ritual, queer identity, pop culture and neo-liberal capitalism, recasting a vast array of found images, materials and texts into sexually and politically loaded tableaux and assemblages which celebrate hybrid and fluid identities, unstable and contradictory meanings, and the glowing horizon of queer worldmaking.Paul Yore: WORD MADE FLESH is an expansive and exciting monograph on the work of one of Australia’s leading contemporary artists. The book brings together work and themes emergent from throughout Paul Yore’s career as well as new work, imagery and insights from his 2022 survey exhibition at ACCA, also titled WORD MADE FLESH.
The 416-page publication is an object that is comprehensive in its written content and deeply considered in its design. The design and materiality of the book directly responds to iconography, principles, materiality, histories and ideas that the artist explores in his practice. For example, the die-cut hole on the cover gestures a subversive perforation – the breaking and pushing of a medium – while internal pages thread together thought-provoking forms and ideas by layering drawings, images, colour, typography and scale to invite an active reading experience. Rich and detailed imagery of Yore’s multidisciplinary practice is accompanied by specially commissioned texts by leading Australian and international artists, scholars and commentators such as Tony Albert, hanna baer, Mikala Dwyer, Daniel Fountain, Helen Hughes and Bruce LaBruce. An extended interview with Paul Yore by Max Delany delves into the artist’s biography and provides further context to the references that are threaded through his practice to date.
This book is limited to 1000 copies
Ephemerality is all Very Well: Portraits of Rowland S. Howard is an ode to the late rock musician Rowland S. Howard, and the influence he had over Lyndal Walker and Tony Clark. Through Walker’s writing and Clark’s gothic portraits of Howard, a nostalgic vignette is constructed, immortalising their shared reverence for the 80’s idol.
This is a limited edition book of 750 copies.
French language edition. Great volume showcasing Weinberger’s images of rebel youth of 1950s and `60s Switzerland, who channelled American rock-`n`-roll culture and made it their own with their rolled-up jeans and denim jackets, bouffant hairdos, striped T-shirts, and customized belts boasting images of Elvis and James Dean. Lusty, free-spirited and self-confident portraits posit the defiant attitude of youth as a response to the conservative post-war era. The volume also includes homoerotic images of rockers, bikers, construction workers and athletes.
Growing up in a strict Muslim community in south-east London, Alom Shaha learnt that religion was not to be questioned. Reciting the Qur’an without understanding what it meant was simply a part of life; so, too, was obeying the imam and enduring beatings when he failed to attend the local mosque. Shaha was more drawn to science and its power to illuminate. As a teen, he lived between two worlds: the home controlled by his authoritarian father, and a school alive with books and ideas.
In a charming blend of memoir, philosophy, and science, Shaha explores the questions about faith and the afterlife that we all ponder. Through a series of loose ‘lessons’, he tells his own compelling story, drawing on the theories of some of history’s greatest thinkers and interrogating the fallacies that have impeded humanity for centuries. Shaha recounts how his education and formative experiences led him to question how to live without being tied to what his parents, priests, or teachers told him to believe, and offers insights so that others may do the same.
This is a book for anyone who thinks about what they should believe and how they should live. It’s for those who may need the facts and the ideas, as well as the courage, to break free from inherited beliefs. In this powerful narrative, Shaha shows that it is possible to live a compassionate, fulfilling, and meaningful life without God.
Gang Wars! Rock n' Roll! Fine Knits! Step into the world of the sharpies, Australia's answer to mods and skinheads. A world of custom-made clothing and blood n' guts street brawls. Packed with first-hand accounts from sharpie veterans and rock n' rollers like Lobby Loyde and Angry Anderson, illustrated with over fifty photos of teenagers in cardigans, Top Fellas is smart as a pair of Acropolis shoes and lively as a Q-Club punch up. "...a fast-paced, slang-laced, laddish style - plenty of first hand recollections... loaded with photos... highly enjoyable" Mike Stax, Ugly Things
Punk is Dead exposes the lasting impact of Punk on visual culture worldwide. Hundreds of flyers, photos, set lists, vintage fashions and other ephemera from all of your favourite bands are jammed into this menacing volume. Punk is Dead is massive, featuring a wide spectrum of bands that initially catalysed the scene, and later fuelled its global expansion. Contributing writers such as Wayne Kramer, Arturo Vega or Kid Congo flesh out the visual assault. This long awaited follow-up to the highly influential bestselling book Fucked Up + Photocopied: Instant Art of the Punk Rock Movement also features hard hitting interviews with Ian Mackaye, one of the most respected voices of the DIY music underground, and Malcolm McLaren, likely the most impactful promoter of the early punk movement. From the unknown to the infamous, they will likely be found within the pages of Punk is Dead, Punk is Everything!
Originally published for a 2022 New York Times article on “The Joys (and Challenges) of Sex after 70,” this photographic series by Marilyn Minter explores the almost uncharted territory of sex late in life. Intimate, fantastically bold, sometimes shocking and very Marilyn Minter in the best way, these photographs cast an uninhibited look at “unconventional” bodies and challenge our traditional and often stereotyped vision of sex.Ultimately, these joyful, empowering and body-positive images remind us that the frontiers of sexuality are unlimited and that we can choose the type of pleasure we want at every stage of our lives. An afterword by acclaimed New Yorker writer Naomi Fry dwells on the feminist implications of Minter's work as it addresses the issues our society faces when it comes to ageing.In paintings, videos and photos, Marilyn Minter (born 1948) has been exploring the intersection of desire, feminism and modes of representation since the late 1960s. She has had solo exhibitions at White Columns in New York and the San Francisco Museum of Modern Art among other locations. Her retrospective Pretty/Dirty was presented in 2016 at the Contemporary Arts Museum Houston and MCA Denver, before travelling to the Orange County Museum of Art and the Brooklyn Museum in New York.
The follow up to the critically acclaimed 'Untitled. Street Art in The Counterculture. Untitled II the irreverent book of street art has again been created without the collaboration of the artists and certainly without the permission of the wall owners. There are blatant statements that embody outrageous lies, articles laced with satire, plus cynical synopses of attempts to commercialize street art and make it fashionable via celebrity endorsement. Consideration is given to the question What the hell is it about the color grey that makes it appeal the powers that be and their ridiculous minions? and Outsider Art is it an expression of artistic impulse without interference from the idea of personal gain? All of this amongst a collection of graffiti collected from all over the world and preserved on these pages before the legions employed to destroy them chip them off the walls. Artists featured include Miss Van, Dan Witz, Ron English, Obey, Banksy, Blek le Rat, Swoon, Os Gemeos, and Herakut.
I'll Kick You In The Head With My Energy Legs depicts the coming of age, travels and traits of a group of skateboarders from London, who managed to escape the grips of a nine-to-five. Each character offers a different dynamic to the ongoing story; be it walking along the sludge covered beaches of the river Thames in search of an American visiting friend who happened to be taking an emergency shit' after accidentally drinking an entire bottle of laxative, or a journey to the hospital to fix a dislocated elbow, or playing with a dead pigeon.
n 2004, before the advent of social media as a global phenomenon, photographer Patrick O'Dell launched the celebrated blog 'Epicly Later'd', dedicated to documenting the adventure and mayhem of the NYC skate/music/downtown scene. Two decades later, the influence of O'Dell's work is apparent, and the original photographs still astonish. Compiled by O'Dell and editor Jesse Pearson, this title collects the best of the blog into a body of work that's evocative wildly compelling.Patrick O'Dell is a photographer, photo editor, filmmaker, and skateboarder from Columbus, Ohio. In addition to the creation of the seminal photoblog Epicly Later'd, his work includes serving as a photographer for Thrasher magazine and photo editor for Vice. He also created and produced the webshow and television adaptations of 'Epicly Later'd', and is an acclaimed director of music videos and the film 'Dumb: The Story of Big Brother Magazine'.
The Ugly Australian Underground documents the music, songwriting, aesthetics and struggles of fifty of Australia’s most innovative and significant bands and artists currently at the creative peak of their careers. The book provides a rare insight into the critically heralded cult music scene in Australia.
The author, Jimi Kritzler, is both a journalist and a musician, and is personally connected to the musicians he interviews through his involvement in this music subculture. The interviews are extremely personal and reveal much more than any interview granted to street press or blogs.
They deal with not only the music and songwriting processes of each band, but in some circumstances their struggles with drugs, involvement in crime and the death of band members.
Unprecedented in scope, this book is the definitive story behind the most explosive and influential art form of the last 100 years. The book traces the evolution of the style from its early freight train days to its big-city boom on the streets of New York City and Philadelphia to its modern-day influences, and features profiles and behind-the-scenes stories gleaned from over three-years' worth of interviews with graffiti's most prominent names as well as its lesser-known pioneers. Authors Roger Gastman and Caleb Neelon provide an insider's perspective on the most popular trends and styles that have dominated the scene for the last 50 years, and provide a thorough examination of the regional differences among major American hubs - New York, Los Angeles, the Bay Area, Chicago - and under-the-radar scenes in cities, like Washington, D.C., Boston, Miami, New Orleans, and Albuquerque.
THE HISTORY OF AMERICAN GRAFFITI is packed with over 1000 photographs-the majority of which have never before been seen - from more than 200 photographers, most of whom also created the artwork. The authors have spent the better part of the last five years interviewing key figures in the graffiti world throughout America - from the bedrock cities of New York City, Philadelphia, and Los Angeles to the lesser-known, but equally important hotspots of Cleveland, Baltimore, and Phoenix. Approximately 90 percent of the art in this book has never been published, and was sourced directly from the artists who lived the scene, giving the book a raw street vibe as authentic as the history it documents.
The foreword is by legendary graffiti artist, Taki 183. Considered one of the founding fathers of the graffiti arts movement, Taki 183 has never before contributed writing to any book or newspaper/magazine article on the subject. Next year, 2011, marks the 40 anniversary of the 1971 New York Times article written on Taki 183-"Taki 183 Spawns Pen Pals"-that ignited the movement in New York City and cast Taki 183 as the world's first famous graffiti artist. His official Web site is http://taki183.net.
