Melbourne, Experimental, Field Recordings, Pop, Synaesthesia, Avant Garde; CD - Ex Used condition Francis Plagne's second self titled release presents strange and visual evocations of different places, and the variety of different spaces that shift throughout its 91 minutes. There are claustrophobic spaces, and wide-open vistas conjured through the use of field recordings. Francis Plagne is like looking out the window of a bus as the scenery unfolds. It’s easy to attach metaphors to his sprawling work, but it’s bewildering to discern exactly where Francis is coming from, probably because he’s coming from everywhere at once. You could say it’s a schizophrenic musical identity, but I’d say it’s really just glee and enthusiasm that drive it all.  It’s a gleeful act of appropriation, but with such a unique spin on music, it’s hard to label it as merely that. Francis Plagne is forward thinking in its take on the notion of music being everywhere, if you just listen, in the streets, your house, and the park. Francis Plagne is everywhere and everything ; it’s cluttered, but sounds purposefully this way. The title of the track ‘A Chance Exposure To A Distant Rumbling’ reflects one of Francis’ chief aims; random moments in sound coming together all in one place, creating spaces, letting songs form beneath and between their folds. It’s an act of cutting and pasting, a monumental process of trial and error, considering just how many sounds make up his opaque pieces.