Lock, Stock And Barrel was a pro-gun Magazine in Australia from the 1980s until 1996/7. It features many advertisements for suppressors, extreme books, instructions for illegal weapons and even advertisements for Militia groups. It had a column called "Revolution In Apathralia" talking about a hypothetical guerrilla movement in a Future Dystopian Australia which only seems to get closer and closer. Written and published by Ron Owen of Owen Guns. Gympie, Queensland.
Crazy!
Ex-Used condition
Lock, Stock And Barrel was a pro-gun Magazine in Australia from the 1980s until 1996/7. It features many advertisements for suppressors, extreme books, instructions for illegal weapons and even advertisements for Militia groups. It had a column called "Revolution In Apathralia" talking about a hypothetical guerrilla movement in a Future Dystopian Australia which only seems to get closer and closer. Written and published by Ron Owen of Owen Guns. Gympie, Queensland.
Crazy shit here!
Ex-Used condition
Lock, Stock And Barrel was a pro-gun Magazine in Australia from the 1980s until 1996/7. It features many advertisements for suppressors, extreme books, instructions for illegal weapons and even advertisements for Militia groups. It had a column called "Revolution In Apathralia" talking about a hypothetical guerrilla movement in a Future Dystopian Australia which only seems to get closer and closer. Written and published by Ron Owen of Owen Guns. Gympie, Queensland.
The ramlings in this magazine are wild!
Ex - used condition
Limited coloured vinyl 5LP deluxe foil slipcase
For the first time, The Clouds present all four of their albums in one limited edition collected box set.
RetroActive features all four of The Clouds incredible albums – Penny Century, Octopus, Thunderhead and Futura – most of which are being repressed for the first time since release.
The box set arrives in a deluxe foil box, and each album arrives on limited-edition coloured vinyl.
The 'Phonetic poems" were conceived in 1917, simultaneously and without much knowing with the russian futurists discoveries of Khlebnikov et Iliazd - with the cosmic sorcerer and trans-rational language 'Zaoum' (1913), Hugo Ball at Cabaret Voltaire (Karawane, 1916), then Kurt Schwitters (Ursonate, 1922).
All these artists-poets were inventors (or re-discoverers) of an mediumnic ultralanguage where primordial inter-ethnic and mythological sounds precede meanings, in order to redefine human communication and to connect to the multi-dimensional.
Foreshadows of sound poetry and performative action poetry, these 'Phonetic Poems' are still there, miraculously preserved thanks to some recordings made in 1955 by the house of Philips, then 1959 by Bureau and in 1966 by Henri Chopin, in Limoges where Hausmann had settled in 1944.
" A previously unknown shellac recording of the dadaist recording his immortal sound poem, Ursonate, from the 1930s, was apparently recently discovered. And to much amazement has been released here for the first time. Historically, sonically mindblowing." (forcedexposure.com)
"This is a remarkable artifact and a revealing, even moving rendition." (Option, July/August 1995)
Note: According to Ernst Schwitters's testimony, this is the original recording of his father Kurt's performance. We do not wish to conceal the fact that this claim has since been doubted by a third party. WERGO is investigating the matter.
CD - New
Proper and overdue re-issue of a limited edition 12 cassette on Annihilvs released back in 2012. Hubrizine was two years in the making and features source material by Finland's mighty STROM.ec, undoubtedly heralded as masters of the PE oeuvre, as reinterpreted and re-engineered by Theologian, in celebration of a shared appreciation for the works of Philip K. Dick. From the opening moments, what immediately strikes you is that this probably isn't what you thought it was going to be, given the history of both acts. Sure, there are a good deal of passages of volatility and focused intensity as you might expect, but they are complimented by an equal amount of passages of hallucinatory ambience and cold, serene atmospherics. It's this very dichotomy that makes this such a masterful recording, and listening to it one sitting becomes almost mandatory just to wrap your head around the mind fuckery that unravels over its 7 tracks, as celestial drift and horizon filling textures collide with sudden eruptions of militantly hostile vocals, machine clatter, blistering frequency pulsations and writhing distortion. The title track is clearly the centerpiece here...an epic and sprawling 18 minute track of climatic and shimmering drones that disintegrates into corrosive generator hum and contorted loops with an insane vocal outburst that rivals any STROM.ec output ever created. Hubrizine clearly takes heavy electronics in a direction where few have dared go, and few will ever match. In fold out presentation folder with artwork by Andre Coelho
Limited / Numbered CD - Comes in luxurious 5 panel folder with metallic/black print, 19 x 14 cm, packaged in transparent bag
One year after the highly acclaimed "Dream Landscape" CD ANEMONE TUBE returns with the new concept album "Death over China".
No country in history has emerged as a major industrial power without creating a legacy of environmental damage that can take, if at all possible, decades to undo. China`s rise as an economic power has no clear parallel in history; thus, its pollution problem has shattered all precedent developments.
"Death over China" is a retaliation of nature against humankind. In the same moment it is a dedication to our untamed curiosity for the essence of death and our (inherent in our collective action) secret death wish. In China`s uncompromising economical and social development we see demonstrated, how we - even with the immolation of our health, environment and tradition - are the servants to material progress. Though we are aware of the approaching ecological disaster, we hazard the consequences. Sustainability is sacrificed on the altar of egoist quest for happiness. We consume, we destroy, we thrive, we conjure: "Deathly kingdom of desire, you sustain the life in me, Black death rise!"
Using field recordings, collected in Nanjing and Shanghai in 2007, ANEMONE TUBE creates an unsettling yet intriguing, apocalyptic soundtrack with a sinister atmosphere and a depressive undertone - a unique blend of dark ambient, post industrial and power electronics in the tradition of European industrial music.
"Death over China" is the second part of "The Suicide Series", for which field recordings provide a conceptional basis. In a poetic way ANEMONE TUBE combines analytical realism of the phenomenal world with buddhist psychology and nihilist rhetoric influenced by the works of Michael Haneke, Hayao Miyazaki, H.P. Lovecraft and Yukio Mishima.
All music recorded between July 2007 and December 2009. Mastered by JAMES PLOTKIN 2010.
Definitely ANEMONE TUBE`s best and most mature album yet.
Recorded within the bleak transitional period immediately prior to the sessions that would now become known as Bermuda Drain, Dominick Fernow sketched out four compositions which can only be framed as “ambient power electronics”.
For the past couple decades, Prurient (along with his revered Hospital Productions imprint) has tackled some of the most challenging aptitudes of experimental music and navigated the baggage that comes along with growth and maturity within the confines of noise.
Ex Used Condition
Some of Fernow’s most destitute works to date, this release captures Prurient at its most vulnerable and sedate, reflective and rapt. Compositions that throw away that past decade of experience, only to start at the foundation of his art.
Original exclusive cover art collage by artist Genesis Breyer P-Orridge.
Neil Hamburger's 2024 Australian Tour 7" - Limited to 200 copies on 'Black Hole Records' with sticker.
A. Sounds of laughter
B. Im so lonesomeI could cry - Featuring Phil Franklin, Danny Heifitz, Bar McKinnon and Daniel Tucceri
New
The DEBUT novella from Audrey Szasz
’Shut your mouth,’ Mother tells me. I shut my mouth. ‘Wipe that idiotic grin off your face,’ she says. I wipe the idiotic grin off my face. And as I emerge from diazepam slumber I realize that our train has pulled into the station. Pain, invisible, but etched within me like crystal. Welcome to London St. Pancras International, where this journey terminates.
54 pages
Amphetamine Sulphate Paperback Book (New)
An anthropological document that fully achieves its purpose of formulating-fabricating-destroying the 'other' a la the opening De Quincey quote.
tThe social, moral, and artistic implications of a lynching text that is explicitly about a Caucasian male - the most fascinating element of the word-areas of Marty Page are those that reinterpret a historically racist act through the visor of an aesthete. More going on than meets the eye.
This is a real horrorshow, Marty Page reads like notes for extreme performance art or maybe a forbidden sacred text. Bladh’s background in multidisciplinary fields allows him to deliver a bleakly convincing script here.
Amphetamine Sulphate - Paperback Book (New)
