A MAMMALS NOTEBOOK: Collected Writings of Erik Satie (1997); Paperback Atlas Arkhive 208 pages, Used (ex-library) This is the largest selection (in any language) of Erik Satie's writings yet to appear, and includes previously unpublished texts, drawings and photographs. Dismissed as a bizarre eccentric by many, Erik Satie has come to be seen as a key influence on twentieth century music. His compositions include, among other pieces, the ubiquitous Gymnopedies, the 3 Pieces in the Form of a Pear, and the Dada opera Relache. In later life he gathered round him Les Six and the cream of the new generation of French composers. His influence has continued to widen; John Cage and the New York School composers hailed him as "indispensable," and more recently certain of his pieces have been seen as prefiguring both Minimalist and Ambient music.  His poignant, sly and witty writings embody all his contradictions. Included here are his "autobiographical" Memoirs of an Amnesic, and wryly comic musical commentaries; the gnomic annotations to his musical scores ("For the SHRIVELLED and the DIMWITS, I have written a suitably ponderous chorale ... a kind of austere, unfrivolous introduction ... I dedicate this chorale to those who do not like me."); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper, and the mysterious, elaborately calligraphed, "private advertisements" found stuffed behind his piano after his death.

Walk Through Walls: A Memoir - Marina Abramovic; Hardcover 384 pages, (2018), Used “I had experienced absolute freedom—I had felt that my body was without boundaries, limitless; that pain didn’t matter, that nothing mattered at all—and it intoxicated me.” In 2010, more than 750,000 people stood in line at Marina Abramović’s MoMA retrospective for the chance to sit across from her and communicate with her nonverbally in an unprecedented durational performance that lasted more than 700 hours. This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramović is truly a force of nature.  The child of Communist war-hero parents under Tito’s regime in postwar Yugoslavia, she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, Marina lived at home under her mother’s abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor—all of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love story—a twelve-year collaboration with fellow performance artist Ulay, much of which was spent penniless in a van traveling across Europe—a relationship that began to unravel and came to a dramatic end atop the Great Wall of China.  Marina’s story, by turns moving, epic, and dryly funny, informs an incomparable artistic career that involves pushing her body past the limits of fear, pain, exhaustion, and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right, Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist. “Walk Through Walls is beautiful, panoramic, touching, deep. I really love and admire the way Marina confronts all the weird contradictions of myth mixing with daily life. She manages to say personal as well as self-critical things about herself while still making a self-portrait that is rich and full of real self-respect. What a life!” —Laurie Anderson “In The Heart Sutra, Buddha says, ‘Our life on earth is like a morning star, a bubble on water, a drop of dew, lightning in the summer sky, a dream in this floating world.’ For Marina Abramović, there is no difference between art and life, life is a dream while it lasts, an absolute presence made ​​in a vacuum.” —Alejandro Jodorowsky  

TIMOTHY LEARY The Fugitive Philosopher; Paperback 144 pages (2007), New Busted for pot in 1965, Timothy Leary was sentenced to 25 years in prison. He escaped, and thus began an almost farcical odyssey: the former West Point student and Harvard professor was now an acid-tripping fugitive. In this delightfully irreverent account, Leary describes his time in Algeria; how he was sheltered by an arms dealer in Switzerland; his exploits with the Weathermen and Eldridge Cleaver, who tried to hold him hostage; and his eventual capture and return to the United States. The book includes black and white illustrations throughout.