MERZBOW 'Venereology' Vintage short sleeved T-shirt 1994
Ultra rare Merzbow Tshirt. Printed for the release of the Relapse album, Venereology.
Ultra thick plastic print that stinks like crayons, you know what we mean?
All Sport Pro Weight Preshrunk Made in US 100% Cotton
RADIO BIRDMAN by VIVIEN JOHNSON. 218 page softcover book about the band. Extensive interviews, lyrics, photos galore, a must-read for any fan and a great story in it's own right. Originally published in 1990, this is the 1992 printing.
Ultra rare self released limited edition (numbered) from 1986
Swans are an experimental rock band formed in 1982 by Michael Gira. Initially part of the no wave scene, Swans have, through various iterations, contributed to the development of noise rock, post-punk, industrial, post-rock and more.
Real Love is the fourth live album by American experimental rock band Swans. It originally appeared as an official bootleg in 1986,[2] then was reissued on Atavistic Records in 1996.[3]Real Love was recorded from European shows on Swans' Greed and Holy Money tour between February and April 1986.[1] https://en.wikipedia.org/wiki/Real_Love_(Swans_album)
Rare self-released 2 x LP 1986
Swans are an experimental rock band formed in 1982 by Michael Gira. Initially part of the no wave scene, Swans have, through various iterations, contributed to the development of noise rock, post-punk, industrial, post-rock and more.
Friedman works at the intersection of design, management, and art. His research focuses on strategic design and value creation for economic innovation. Friedman has done research in theory construction, research methodology, philosophy of design, doctoral education in design, knowledge management, and philosophy of science. He has done design policy studies for Australia, Estonia, Latvia, Lithuania, Norway, and Wales. In 2007, Loughborough University awarded him the degree of Doctor of Science, honoris causa, for outstanding contributions to design research.
Ken Friedman is an artist and designer active in the international laboratory of art, design, music, and architecture known as Fluxus. He had his first solo exhibition in New York in 1966. His work is represented in museums and galleries around the world, including the Museum of Modern Art and the Guggenheim Museum in New York, the Tate Gallery in London, the Hood Museum of Art at Dartmouth College, and Stadtsgalerie Stuttgart.
The University of Iowa Alternative Traditions in the Contemporary Arts is the official repository of Friedman’s papers and research notes. The Silverman Fluxus Collection at the Museum of Modern Art, Archiv Sohm at Stadtsgalerie Stuttgart and the Mandeville Department of Special Collections at the University of California hold extensive archives on Friedman’s work of the 1960s and 1970s. (2019)
Playground Sweden is a travel report through contemporary Swedish street art that refuses to follow conventional rules. Richly illustrated with unique pictorial material that will show you not only the finished product, but also the creative process of street art.
By popular demand, Juxtapoz Tattoo 2 expands on a subject very dear to the inked hearts of its readers. Many featured artists emerged at the beginning of Tattoo's modern renaissance at the end of the millenium, hungry for a new approach, but steeped nonetheless in the traditions of their craft. Whether these gifted tattooists are creating a modern twist on a classic theme, or changing the game completely, aesthetic integrity is the goal. Featured tattooists include: Mark Heggie, Jose Lopez, Paulie Tattoo, Jun Cha, Eva Huber, Liz Gruesome, Mark Bode, Colin Stevens, Angelique Houtkamp, Yoni Z, Stephanie Tamez, Jime Litwalk, Shawn Barber, Sunny Buick, Clae Welch, Stever Byrne, Mike Ledger, Virginia Elwood and more.
The medieval world was a distinctive one, rich in change and diversity. This book brings together these disparate worlds to show one medieval world, stretching from Connacht to Constantinople and from Tynemouth to Timbuktu. This set of reconstructions presents the reader with the future of the medieval past, offering appraisals of the evidence and modern historical writing. Articles are thematically linked in four sections, exploring identities in the medieval world; beliefs, social values and symbolic order; power and power-structures; and elites, organisations and groups. This set of views from multiple perspectives conveys the liveliness of current approaches to studies in the field.
