Derek Bailey, John Zorn, Steve Lacy, Max Roach, Evan Parker, Imrovised Music, Improv, Jazz, Experimental; Paperback Book - VG Used condition (book has some discoloration and creases/dog ears)
Derek Bailey's Improvisation, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms--Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers--including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott--Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.
Sun Ra, Afro-futurism, Jazz, Free Jazz, Psychedelic, Historic, Documentary, Avant-garde; Paperback Book (314 pages) 2020 - New
Sun Ra (1914–93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra’s Chicago, William Sites brings this visionary musician back to earth—specifically to the city’s South Side, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.
Melbourne, Electronic, Experimental, Minimal, Synth, Cleopatra Records, Rare, Sacred Cowboys, Cybotron, Einsturzende Neubauten - Ex original used condition.... Rare and awesome!
The Metronomes were an obscure legendary minimal synth band from Australia. The group was an integral part of the early electronic music scene in Australia and their releases have become collector's items in Europe, as they are mostly impossible to find. The Metronomes first appeared in Melbourne in 1979 and initial members were rock journo/synth player Al Webb, bass player Andrew Picouleau (Secret Police, Sacred Cowboys) and synth-pioneer Ash Wednesday, nowadays a live tour member of Einstürzende Neubauten. Al himself will admit later that Ash's ingenuity in creating something out of very little was the key to the Metronomes sounding as "produced" as they did. The first full-length Multiple Choice was recorded in the winter of 1980, using Roland Strings, a mini-Korg, some Arp synthesizers and a Boss Dr-55 -- a drum machine that was intensively used by many minimal synth bands during the '80s. This debut full-length Multiple Choice was recorded in the winter of 1980, using Roland Strings, a mini-Korg, some Arp synthesizers and a Boss Dr-55 -- a drum machine that was intensively used by many minimal synth bands during the '80s
Australian, Dark Ambient, Experimental, Drone, Various Artists, Noise; CD, Booklet + Sticker - New
Australian Dark Ambient/Experimental/Drone V/A release from 2012 featuring: Rohkontrol, Voidhanger, Rotteur, Grist, Abre Ojos, Rohkontrol Released in printed cardboard zine, with postcard, sticker and printed matter. RARE!
Electronic, Experimental, Power Electronics, Noise, Ambient, Industrial; Gatefold 2xVinyl LP + CD - Ex Used condition
Russell Haswell joins Philip Best's Consumer Electronics for the face-melting force of 'Estuary Electronics'. Following on from the Mattin-produced 'Crowd Pleaser' (2009), it finds the pioneering duo at their most virile and vital across seven tracks rife with sputtering tech-n0!se and, of course, Best's spray it, don't say it delivery. It's a cruel, vicious fucker and therein lies its charm in showing up most of their field as dilettantes. Between the flatulent jag of 'Teknon' to the staggering, 'floor bleaching force of 'Co-opted' or the 'Air Lock' monologue that seals the final side, it delivers visceral thrills in a way most others can't compete with. And it's all the more powerful for its reduced and optimised palette - vocals, spatter drums and eviscerated electronics stoically delivered with real venom where it matters. For adventurous DJs, proper wrong 'uns, and the noise brigade, it's stone cold essential.
Mad Max, Cult, Australian, Soundtrack, Score, Rare; CD - Ex Used condition
This is the original first 1993 CD release of the Original Sound Track to the original 1979 Mad Max film, soundtrack created by Brian May. Released on US label Varese Sarabande. Very rare CD release in Ex Used condition.
Kawabata Makoto, Acid Mothers Temple, Japanese, Japanoise, Psych, Noise, Experimental, Drone, Electronic, Rock; CD - Ex Used condition
Cosmogonic rockin' project from Kawabata Makoto (Acid Mothers Temple), featuring endless suspended drone electronic textures. This one represents the contemplative eerie side of Kawabata Makoto musical universe
Japanese, Japanoise, Noise, Experimental, Avant-garde, Electronic, Rock; CD - Ex Used condition
1st album in 1997 under the solo name of Seiichi Yamamoto, the leading expert in experimental music. Includes a total of 10 songs with an avant-garde sound world centered on noise guitar sound, which is more experimental than the band.
Japanese, Japanoise, Psych, Noise, Krautrock, Progressive, Rock; CD - Ex Used condition
The album includes liner notes by Damo Suzuki (ex. Can). ‘Dream of Liquid’ was created for Mandog’s first UK tour held in June 2011 and mastered by Souichiro Nakamura, who mastered recordings by a number of artists such as Yura Yura Teikoku and Guitar Wolf. The line-up of the band for this album is Keiichi Miyashita (the founder of Mandog, Godman, Wabo-Chao), Akira Kikuchi (Kawaguchi Masami’s New Rock Syndicate) and Masataka Fujikake (Shibusashirazu, ex. Zeni Geva).
"the ensemble playing here veers from frenetic ecstasy, like a super-charged soft machine, to mournful synth-dressed marches which recall mid 70s giants of progressive searching like hatfield of the north and that other wyatt project matching mole. the guitar/synth/bass/drum set up nails each piece to the floor with retro stylings that also point to a future which can only be imagined whilst at the heights of humanist thinking." Rough Trade
Electronic, Experimental, Drone, Folk, Japanese, Japan, Psych, Masaki Batoh, Ghost; CD - Ex Used condition
Brain pulse music is made using a stereotypically goofy-looking contraption, one that features a wired headset and a readout monitor on a cart. If someone told me it was an object retrieved from Nikola Tesla's laboratory, I might believe them. Brain pulse music was initially conceived to treat patients with "congenital abnormality of the cerebral nervous system." It is generated via a device that consists of a headpiece, goggles, and a "motherboard." Brain waves are sent via radio to the computer, which translates them into wave pulses and then into sound. Batoh had a Brain pulse machine machine created for this project, which transformed from an experimental endeavor to a therapeutic one in the wake of the earthquake. The seven tracks on Brain pulse music were prayers and requiems, according to Batoh. Those words suggest a projected empathy to the victims; listening to Brain pulse music, though, it seems just as likely that the album was a vehicle through which Batoh and his collaborators coped with the devastation around them. Certainly it's difficult to imagine the discordant reeds of "Kumano Codex 1" or the morphing digital crevasses of "Aiki No Okami" being of much use to the injured or grieving, but I can absolutely imagine that long, meditative pieces here were salves for their creators.
Acid Mothers Temple, Psychedelic, Japanese, Japanoise, Noise, Experimental; CD - Ex Used condition
This newest solo outing from Kawabata Makoto is very different from most Acid Mothers Temple records, however. Eschewing guitars almost completely, this album features three long pieces of subtly shifting electronic drones and vocal loops. "I'm In Your Inner Most" is a psychedelic drone journey to the center of your mind. Makoto pushes the distortion on his electric organ, and fills out the texture with synthesizers, violins and a female vocal sample that randomly fades in and out of the mix. Not very easily digestible at first, upon repeated listenings you begin to sense the true cosmic transendence of his music. LaMonte Young's influence can be heard in the first track - a long, shape-shifting high-pitched squeal that cleanses the listener's mind of all thought, leaving only the rapturous sensation of sound. The second track begins with the same drone, but adds delightfully cosmic keyboard arpeggios and cyclical melodies. Even throughout the beautiful melodic sections, Makoto continues to push the noise and percussive distortion so that the listener remains in a completely trancelike state while investigating the astral worlds that the keyboards usher you through. Shades of Tangerine Dream and Terry Riley become apparent towards the end of this track, as the synthesizer loops take prominence. The third track "Oculation (remix version)" contains the same organ tones and repetitive synthesizers as the first two tracks, but adds some atonal guitar feedback into the mix. "I'm In Your Inner Most" is definitely an album that requires active listening to enjoy......
Electronic, Experimental, Jazz, Bill Laswell, Toshinori Kondo, Drum 'n bass; CD - Ex Used condition
This has to be one of the best future jazz releases. A fantastic fusion of drum'n'bass, trip hop and Toshinori Kondo's inimitable trumpet playing.
