RARE, Experimental, Avant Garde, Electroacoustic, Musique Concrete, Noise, Sound Art; Vinyl LP - VG Used condition (Sleeve has small pin hole through top center of cover)
Ambient experimental noise on Hospital Productions Records. Limited to 300 copies. With a silkscreened gatefold cover.
The music of Jonathan Borges and Shannon Kennedy of Pedestrian Deposit could best be described as highly composed, focused and dynamic, experimental music that draws on their widely varying music talents. From Borges’s interest in such areas as electronics, tape loops, sampling, field recording, and feedback, to Shannon’s use of classical instruments, contact mics and manipulated metal objects, the duo combine elements of musique concrete, ambient, drone, classical and harsh noise.
Rare!, Electronic, Experimental, Industrial, Noise, Ambient; Limited Edition (400 copies) Vinyl LP (Posh Isolation) - Ex Used condition
Long awaited reissue of Croatian Amor’s debut album from 2013. The World marked a switch in the project from the earliest tape experiments and this debut is in many ways a key release in the back catalogue of Posh Isolation. In 2013 the press text read;
" The World is the debut album by Croatian Amor, following a long row of limited tapes on Posh Isolation. The World utilizes the same method of collaged melodies and real sounds, as the project has done up until now, but on the debut LP the pieces feel more thought out. The album runs like a soundtrack on which the actors’ voices were never cut from the score, field recordings and synth blends together in a beautiful yet nauseating audio pool. Transit, plastic interior, insomnia, pornography and being alone. Being alone in large groups of people, being alone in thousands of years of civilization, being alone in a lover’s bed copulating."
Housed in two generic white sleeves –an inner sleeve into a sturdy one– together with two double-sided full-colour inserts instead of a traditional cover and a single-sided black-and-white insert with the tracklist, a poem and credits.
Experimental, Power Electronics, Noise, Vinyl LP Limited to 300 copies - Ex Used condition
This is easily one of the most violent and dark releases PARASITIC label have released. 15 years after his first release on MALIGNANT and numerous releases on FREAK ANIMAL, ANT-ZEN, and EIBON amongst others, the hateful assault has only increased and become more fervent. The sound of a brooding blood lust, nightmare realities and contempt for mindless scum surrounding you. A hatred in your blood, pounding your brain.
Electronic, Experimental, Industrial, Ambient, Noise; Limited Numbered Edition #200 of 300 Gatefold Vinyl LP with 2 colour inserts [This release originally came with a CD and Pin Badge (Both missing)]
Nordvargr makes a triumphant return to the darkambient scene after a few years of silence. Having focused more on the harsher and electronic music styles for a while he felt that he had a couple of new ideas to try out and he sure delivers.
"Murkhr" is a multiformat release that spans over a whole vinyl LP and CD and is probably among the most dark journeys into sound that has been made in the studio at Villa Bohult. Imagine the deepest passages from his debut "Awaken" being mixed with solemn orchestrations and shamanistic chants.
Electronic, Industrial, Noise, Power Electronics; Vinyl LP (2015) - Ex Used condition
THEOLOGIAN comes in the form of the four punishing sequences. A Means By Which To Break The Surface Of The Real offers, with nearly forty-five minutes of material created in collaboration with David Castillo of Primitive Weapons and White Widows Pact, Daniel Suffering of Whorid, Matt Slagle, and engineer Kevin D. Reilly, Jr., who has periodically worked with Bartow since the earliest incarnations of Navicon Torture Technologies in the mid-late 1990s. Noisey offered in part of the album, “THEOLOGIAN's dark industrial pedigree is impeccable… A Means By Which To Break The Surface Of The Real, is a nightmarish affront of torturous industrial rhythms and suffocating drones...” And Heathen Harvest issued, “Bartow is an artist who, like so many of his influential peers from Brighter Death Now to IRM, has been enormously important to our development as fans of industrial music over the past decade and a half... Bartow leads us once again into the deep, dark recesses of the mind and the world…”
Electronic, Experimental, Rhythmic Noise, Industrial, Noise; Vinyl LP - Ex Used condition
Berlin-based Italian producer Shapednoise brings here six tracks of malefic, distorted techno. 'Until Human Voices Wake Us' is the label's first release brokered specifically for vinyl - following their LP reissues of MCMXCI's 'Skogen, Flickan Och Flaskan', and Wanda Group's 'P*ss Fell Out Like Sunlight' - and fits perfectly with their most extreme aesthetics. Consolidating his love of industrial noise, rave and hard techno, 'Until Human Voices Wake Us' could never really be called one or the other - it's a grotty, primal new form that feels like it just slunk out of a bilge pipe. A-side he swerves from crushed, rheumatic rhythms to howling tunnel noise and more ecstatic bluster in the title track, while flipside is given to strobing bass pulses and tense strings, murderous roil 'n drone and a sludgy techno deconstruction.
Ambient, Techno, Electronic, Noise, Experimental; Black Vinyl Edition LP - Ex Used condition
Nitrogen Narcosis marks the first full length and strongest statement in the Scuba Death repertoire after the privately issued, ruthless ‘Demon Seed’ twelve inch back in 2011. The album alternates between surprising lethargic dance inflections all nestled between 75 & 100 bpm, the normal resting heart rate for adults, and the more conceptual, numbness inducing pieces like "50-70 Meters" and "Nociception." Sequencing plays an integral role on Nitrogen Narcosis as the listener is suddenly thrust into the darkest reaches of the ocean after dark alley grooves are sucked into an aquatic abyss.
Dark Ambient, Experimental, Ambient, Germany; Double Vinyl LP (2010) RARE! - Ex Used condition
Transcendent dark ambient from sunny Germany. The Incarnation of the Solar Architects makes me feel as though I am a human-shaped pile of ash and dust that is being blown into the æther by cosmic winds. You know, like in 'Altered States'.....
Comedy, Cult, Terrible, Outsider, Rhino Records, Various Artists,1983; Vinyl LP with sick bag!! - Ex Used condition
There is perverse pleasure to be had in sampling the tasteless, inept, and bizarre, and it was with this fact in mind that Rhino Records unleashed The World's Worst Records, a compilation of abrasive novelty songs, demented outsider artists, and clumsy comedy. With liner notes by Dr. Demento and Rhino mainstays Barnes & Barnes and Wild Man Fischer on board, there's not much doubt as to the tone of the collection. The set list is skewed strongly toward silly, self-consciously dumb parody tunes that range from amusing (Ogden Edsl's wacky child-abuse singalong "Kinko the Clown") to obvious and unfunny ("I Wanna Be Your Dog" sung by some bad Three Stooges imitators). Should the "World's Worst Records" include songs like these that were specifically designed for such a list? For those who think not, there's the psychobilly classic "Paralyzed," a formless, atonal jumble of guitar, drum, and bugle from The Legendary Stardust Cowboy, a genuine eccentric who actually turned this wild, incredibly alive record into a hit for a short while in 1968. Blame it on the age of irony, or a desperate attempt to find unique sounds in an increasingly homogenous world, but there are those who find pleasure in the accidental, the broken, and the incorrect. 'The Rhino Brothers Presents The World's Worst Records' anticipated this trend several years in advance, proposing that "bad" was infinitely better than "boring," though their overdependence on prefab wackiness lessens the importance of the package.
Synth, Noise, Experimental, Wolf Eyes, Nate Young; Limited Edition Vinyl LP (500 copies) - Ex Used condition
This split LP is, fittingly enough, a co-release between the CIP label and Vertonen's own CIP imprint. Demons is the all-synth-playing duo of Wolf Eyes man Nate Young and Steven Kenney of Isis and Werewolves, and their side comes in the form of a live recording of a Chicago show from earlier this year. The sounds are brutal but highly sculpted oscillator articulations very much in keeping with the Merzbow/Carlos Giffoni analogue material that was circulating a month or so back. It's a hybrid of ferocious noise assaults and sci-fi LFO experiments. Very nice indeed. Over on the flipside Vertonen pushes the volume levels upward for some grittier sounds, which flail about the place admirably until the whole thing settles down into a solid drone signal, which reluctantly ebbs out to a close.....
Abstract, Industrial, Experimental, Electronic; Vinyl LP (1988)
Track A1 from the first Sleep Chamber album. (1984).
Track A2 from the first Sleep Chamber album. (1984).
Track A3 from the first Sleep Chamber album. (1984).
Track A4 unreleased Version rekorded for, but left off the first Sleep Chamber album. (1983).
Track B1 from "Musick For Mennequins". (1983).
Track B2 unreleased demo from "Submit To Desire". (1985).
Track B3 from "Musick For Mannequins". (1983).
