Friedman works at the intersection of design, management, and art. His research focuses on strategic design and value creation for economic innovation. Friedman has done research in theory construction, research methodology, philosophy of design, doctoral education in design, knowledge management, and philosophy of science. He has done design policy studies for Australia, Estonia, Latvia, Lithuania, Norway, and Wales. In 2007, Loughborough University awarded him the degree of Doctor of Science, honoris causa, for outstanding contributions to design research.
Ken Friedman is an artist and designer active in the international laboratory of art, design, music, and architecture known as Fluxus. He had his first solo exhibition in New York in 1966. His work is represented in museums and galleries around the world, including the Museum of Modern Art and the Guggenheim Museum in New York, the Tate Gallery in London, the Hood Museum of Art at Dartmouth College, and Stadtsgalerie Stuttgart.
The University of Iowa Alternative Traditions in the Contemporary Arts is the official repository of Friedman’s papers and research notes. The Silverman Fluxus Collection at the Museum of Modern Art, Archiv Sohm at Stadtsgalerie Stuttgart and the Mandeville Department of Special Collections at the University of California hold extensive archives on Friedman’s work of the 1960s and 1970s. (2019)
Playground Sweden is a travel report through contemporary Swedish street art that refuses to follow conventional rules. Richly illustrated with unique pictorial material that will show you not only the finished product, but also the creative process of street art.
By popular demand, Juxtapoz Tattoo 2 expands on a subject very dear to the inked hearts of its readers. Many featured artists emerged at the beginning of Tattoo's modern renaissance at the end of the millenium, hungry for a new approach, but steeped nonetheless in the traditions of their craft. Whether these gifted tattooists are creating a modern twist on a classic theme, or changing the game completely, aesthetic integrity is the goal. Featured tattooists include: Mark Heggie, Jose Lopez, Paulie Tattoo, Jun Cha, Eva Huber, Liz Gruesome, Mark Bode, Colin Stevens, Angelique Houtkamp, Yoni Z, Stephanie Tamez, Jime Litwalk, Shawn Barber, Sunny Buick, Clae Welch, Stever Byrne, Mike Ledger, Virginia Elwood and more.
The medieval world was a distinctive one, rich in change and diversity. This book brings together these disparate worlds to show one medieval world, stretching from Connacht to Constantinople and from Tynemouth to Timbuktu. This set of reconstructions presents the reader with the future of the medieval past, offering appraisals of the evidence and modern historical writing. Articles are thematically linked in four sections, exploring identities in the medieval world; beliefs, social values and symbolic order; power and power-structures; and elites, organisations and groups. This set of views from multiple perspectives conveys the liveliness of current approaches to studies in the field.
Refill Magazine x BAPE Artists featured include the below
Refill magazine teams up with A Bathing APE in issue 3. It features James Lavelle (UNKLE), Geoff McFetridge, PSYOP, 123 Klan, Doze Green, Hajime , Heavyweight, Logan, Graniph, Brand New School, Coast, Kevin Lyons, Will Bankhead, Estevan Oriol, Evan Hecox, Cndtn, Cody Hudson, Matthew Chapman, Kab101, Evergreen and more.
2004
Since the early days of the graffiti movement in late 1970s New York, street art has transformed cities around the world. Today it is a hugely popular, yet still highly controversial art form. In Abstract Graffiti, Cedar Lewisohn provides a vibrant account of the 'outer limits' of street art and graffiti that are being explored by artists in cities as diverse as London, Prague, Philadelphia and Sao Paulo.
The work of these artists is 'abstract' not necessarily in the sense that it is non-figurative; rather, it may embrace a fresh, abstract approach to art. Lewisohn interviews both established graffiti artists and new practitioners of avant-garde forms of art in public spaces - such as Knit Graffiti and Street Training - and traces the art-historical lineage of these abstract trends.
Addressing such issues as street art as a form of protest, graffiti as a crime, the place of street art in museums, and the evolution of materials, this book offers unrivaled insight into some of the most exciting and challenging work on the contemporary art scene.
This book is the first to examine the spread of graffiti in Asia, concentrating mainly on Indonesia, Thailand, Malaysia, South Korea, Singapore and Taiwan, as well as China and Hong Kong. Anecdotes and interviews with local artists provide an insight into which paints, tools and techniques are used, and the most popular graffiti locations. The book is divided up into sections covering specific artists, lettering, history, locations, crews and trains, with all material collected at first hand by the authors.
Chilean born artist Basco has been contributing his unique street art and graffiti to public canvases all over South America from a very young age and in recent years has had a series of successful gallery appearances around the world. Donde Esta Mi Corazon follows him on a tour through the cultures and cities that are home to the most exciting artists in South America. Including pages of photos, collages, murals and collaborations with Herbert Baglione, Agotok, OS Gemeos, Paloma and others. Bascos work captures the heart of his native Chile with his simple yet expressive faces, skeletons and animals reminiscent of religious icons and amulets brought to life through an expert use of color and texture. Donde Esta Mi Corazon represents another triumphant transition from street to gallery from a DIY artist whose talent could not be contained. Basco is certainly among the most relevant living artists in South America.
Steve Powers and a team of sign painters worked in west Philadelphia in 2009 to paint a love letter meant for one, but with meaning for all. After six months of community meetings and six months of painting, fifty walls painted with the give and take of relationships now greet 10,000 commuters daily. The Love Letter to the City arose out of similar sign projects in Coney Island (2003) and Dublin (2007). Its success has led Powers to realise similar projects in Syracuse, NY; Sao Paulo, Brazil; Brooklyn, NY and Johannesburg, South Africa. While the surfaces and conditions varied greatly, the method of work has remained the same: translate conversation with the community into public communication in the community.
