Avant Garde, Theory, Film, Experimental Film, Surreal; Paperback Book (136 pages) - VG+ Used condition
Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).
John Fahey, Autobiography, American Primitive, Avant Garde; Paperback Book - Ex Used condition
A collection of fictional but semi-autobiographical stories, this work comes from one of the most influential guitarists in music history. The tales are recalled in a conversational, feverish tone, following the musician in his childhood and young adulthood in post-World War II suburbia, pausing along the way for moments of clarity and introspection. The stories resist categorization—part memoir, part personal essay, part fiction, and part manifesto they simply stand alone, having their own logic, religious dogma, and mythological history.
Rare, Conspiracy Theory, New World Order, Illuminati, Australian, Underground, Independent; A4 Handmade Paperback Book - VG cond - has some marks on front cover, perhaps where someone has erased pencil....
This rare as shit conspiracy theory nut-job publication is chock full! 169 pages of rants, some of which are incredibly intelligent, some not so.... Try find out any information about this publication or the author/editor Steven Adams. Almost impossible. This one is for the real collectors of the obscure....
"Dante and Shakespeare divide the modern world between them. There is no third." - T. S. Eliot
"Dante's poem is, for many, the greatest single work of Western literature." - Ian Thompson.
"I love my Dante as much as the Bible. He is my spiritual food, the rest is ballast." - James Joyce.
In the middle of our life's journey, I found myself in a dark wood/Bewildered, and I knew I had lost the way: so opens Dante's Divine Comedy, "the best book literature has achieved" as Jorge Luis Borges writes.
Dante's Inferno, one of the greatest works of European literature, and "the most original and audacious treatment of the afterlife in Western literature" dazzles with its vivid and inventive storytelling and imagery. However, it contains much more than poetry and theology; it displays Dante's wide and comprehensive learning, and his deep understanding of contemporary politics and society. "All life is contained in the poem, for Dante's was an all-encompassing imagination, that interwove classical philosophy with Catholic doctrine and contemporary politics," (Ian Thompson).
The thirty-three cantos of Inferno follow Dante, as, guided by the epic poet, Virgil, he travels through the nine descending circles of a freezing Hell, until he meets Satan trapped at the bottom. The Inferno is the most gripping and engaging book of The Divine Comedy, as Dante meets those damned for forbidden love, and all manner of human vices. (The damned, amusingly, include many of Dante's enemies!) Inferno is the logical conclusion of all that is worst in human life. It is bearable only because Dante eventually emerges. The Divine Comedy was written over a period of twenty years towards the end of Dante's life. It was appreciated as a masterpiece soon after its completion, and it has captivated both readers and the Western imagination ever since. The Inferno is the most widely translated book after the Bible. This edition is translated by the celebrated poet, Henry Wadsworth Longfellow.
Conspiracy Theory, Illuminati, Freemasons, Culture, Sociopolitical; Paperback Book - New
James Shelby Downard, who died at the age of eighty-three in 1996, is one of the most compelling conspiracy theorists of the twentieth century. Robert Anton Wilson wrote that Downard’s “King-Kill” essay, regarding the involvement of Freemasons in the murder of John F. Kennedy, is “the most incredible Illuminati theory of them all.” Marilyn Manson wrote a song based on “King-Kill 33°,” and even two rock bands, one in Atlanta and the other in Seattle, named themselves after Downard’s piece. The Carnivals of Life and Death is James Shelby Downard’s thrilling life story, detailing the skullduggery and ritualism of the KKK and Freemasonry and how they imposed themselves on the young Downard and his family in Depression-era Deep-South America in the 1930s. Editor Elana Freeland writes in her introduction, “Downard’s tale is a piece of the puzzle of a very important period when networks of fraternal orders were front and center in consolidating techniques of sociopolitical control.” Interest in the hidden aspects of Freemasonry is reaching boiling point today, and James Shelby Downard’s eagerly awaited contribution to this secretive and little-known aspect of American culture will be widely read and discussed.
Rare, Elvis, Piss-take, Photography; Americana, Large-scale, Road-trip; Hardcover Book - Good Used condition (Cover has some crease marks)
''The King is Alive!''...The journey of the photographers Robert Huber and Stephan Vanfleteren began in New York somewhere along 42nd street. It ended three weeks and eleven states later in Death Valley. Everything the two artists did during their journey, they did dressed as Elvis Presley, the King of Rock'n'Roll. The artists photographed each other, with Presley (Vanfleteren) in black and white, and Elvis (Huber) in color. ''Elvis'' and ''Presley'' crossed the country riding Greyhound buses and subways, hitch-hiking, strolling through malls or ending up in small town bars where strange women embraced them. While as photojournalists they were accustomed to remaining behind the scenes, here Huber and Vanfleteren found themselves suddenly thrust into the spotlight of their own work. What emerges is a hyperreal road movie, a media-damaged update of Robert Frank's "The Americans ", in which two Europeans step into the boundless television screen that is America. Hardcover, 11 x 11 inches, 98 pages, 45 color and 45 b&w illustrations.
Tom Wolfe, New Journalism, Cult, Social Commentary; Paperback Book 144 pages (1989 reprint) - Good Used condition
“What Tom Wolfe has done is create an appallingly funny, cool, small, deflative two-scene social drama about America's biggest, hottest, and most perplexing problem--the confrontation between Black Rage and White Guilt.” ―Time magazine
“Wolfe's genius is that he is fair; he puts the Bernstein part in perspective against the background of New York social history. Read it and weep with laughter.” ―Houston Post
“A sociological classic . . . At Wolfe's hands the socialites get a roasting they will long remember.” ―Saturday Review
“Tom Wolfe understands the human animal like no sociologist around. He tweaks his reader's every buried though and prejudice. He sees through everything. He is as original and outrageous as ever.” ―The New York Times
“Uproariously funny and socially perceptive . . . a penetrating dissection of the confusion among the classes and the search for status.” ―Women's Wear Daily
“Tom Wolfe at his most clever, amusing, and irreverent.” ―San Franciscio Chronicle
“Absolutely brilliant. One of the finest examples of reporting and social commentary I have read anywhere.” ―Gay Talese
Julian Cope, Underground, Obscure, Reviews, Doom, Jazz, Experimental, Metal, Psych, Krautrock; Large Paperback Book - New
Eschewing the usual criteria of chart success or acknowledged influence, the Copendium — a collection of album reviews and themed track samplers — takes energy, originality and heaviness as its bearings. The result is a feast of obscure and neglected masterworks that together form a surprising but entirely credible new tradition. Krautrock, motorik and post-punk, stoner and doom metal, occasionally even jazz, spoken word and hair metal: they are all represented in a wholly persuasive sequence. Cope is the perfect guide to this novel terrain: impeccably informed, passionate, insightful and deeply funny. Copendium is his re-imagining of a useful canon of popular music, and it is set to become required reading.
Features reviews including Henry Flynt, Chrome, Magma, Melvins, Monoshock, Psychick TV, Sleep, Boredoms, Harvey Milk, OM, Sunburned Hand of the Man etc...
Cult, Trash, Gore, Adult, Conspiracy, GG Allin, Bizarre, Rare; Magazine - Ex Used condition
The Nose was a cult magazine published from 1989-1995, 26 issues total, and was a combination of satirical news and weird-but-true stories culled from west of the Mississippi. This issue includes articles and interviews including LA riot comics, Tractor sex deaths, Bangkok body snatchers, Genitortures, GG Allin, Incredibly strange music and White Trash Videos. Awesome!
Experimental, Noise, Avant Garde, Melbourne, Australian, Sunn0))), Anticon, Melt Banana, v/vm; A2 size Book bound Zine - Ex Used condition
Somewhat legendary Melbourne experimental/noise zine put out by Mark Groves (Synesthesia Record Store) in early 2001. Issue 8 contains interviews/articles with Sole/Anticon, Antedeluvian Rockinghorse, The Berzerker, Cex, Chris Smith & Justin Fuller, Melt Banana, Pix, Speedranch^Jansky Noise and V/VM - also contains small extra booklet 'UJAKU 8.5' whith interviews withSunn0))), Atomsmasher, Bathtub Shitter and Fuck... I'm Dead.... If someone doesn't snap this up soon, I am keeping it for myself!! So fucking awesome....
Gumby, Childrens, Claymation, Vintage, 3D; Comic - VG + Used condition
Blackthorne Publishing presents another in its series of 3-D comics, this one featuring lovable claymation kids-TV star Gumby. Gumby, Pokey and Prickle have adventures in the Old West. Ricochet Pete; Hidden Valley. 32 pages, B&W with 3-D effects (1987)
Beat Writers, Allen Ginsberg, Willian S Burroughs, Interview; Hardcover Book (336 pages)
DON’T HIDE THE MADNESS: William S. Burroughs in Conversation with Allen Ginsberg (978-1-941110-70-6, Three Rooms Press, Hardcover, 336 pages, October 16, 2018; $26) has been hailed as a “must-have resource for beat aficianados” by Publishers Weekly and “a beautiful book” by renowned film director Gus Van Sant. The book offers a fly-on-the-wall experience with the driving forces behind two of the 20th century’s literary counterculture masters. The conversation is interspersed with 17 photographs taken by Ginsberg revealing Burroughs’s daily activities from his painting studio to the shooting range. Renowned artist Robert Crumb created a rare new original image for the cover.
In the course of their dialogue in DON’T HIDE THE MADNESS, Burroughs and Ginsberg discuss:
• the force that drives all creative endeavors
• Native American approaches to creativity and imagination
• shamanic ritual and the creative process
• Burroughs’ cut-up approach to literature
• the magical qualities of cats
• and much more, including drugs, guns, punk rock, and lit-world gossip
The conversation, which occurred in conjunction with the release of David Cronenberg’s film adaption of Burroughs’ groundbreaking “cut-up” novel Naked Lunch, reveals intimate personal history and guiding philosophical dialectic in a magnification allowed by the decades of friendship between these two literary giants. DON’T HIDE THE MADNESS presents an important, hitherto-unpublished primary document of the Beat Generation.
