ALL KNOWN METAL BANDS (2008); Hardcover 300 pages Dan Nelson, Used This volume contains the names of over 50,000 metal bands. Presuming that each of these bands had an average of four members, and multipling that by the number of bands, one might figure that at least a quarter of a million humans have pledged allegiance to one of them at some point is his or her lifetime. Never has a genre of music relegated to the underground of a civilization had so many devotees; no radio needs to transmit the power of this music, for it is sought out fiercely and freely by the doomed and the dispossessed, whose ears are never soiled by songs of love and weakness.  These names are invisible tokens to be spoken aloud, each representing a human quest for superhuman spectacle: shaking floorboards and quivering walls, split ears leaking blood, with faces painted and ornaments pointy, voices uttering eternal truths shunned by woman and man alike.

ABSTRACT GRAFFITI (2011); Hardcover 176 pages Art/Graffiti/Street Art, New … the book is far less coffee table book than it is art history primer. Dominated by interviews with artists, writers, activists and one London judge, Lewisohn concerns himself more with individuals who’ve had a pivotal or lasting impact on the abstract side of the movement, rather than any media-hyped superstars. In other words, Abstract Graffiti is more about the hows and whys, and less about the whos. — Planet Magazine Since the early days of the graffiti movement in late 1970s New York, street art has transformed cities around the world. Today it is a hugely popular, yet still highly controversial art form. In Abstract Graffiti, Cedar Lewisohn provides a vibrant account of the ‘outer limits’ of street art and graffiti that are being explored by artists in cities as diverse as London, Prague, Philadelphia and São Paulo. The work of these artists is ‘abstract’ not necessarily in the sense that it is non-figurative; rather, it may embrace a fresh, abstract approach to art. Lewisohn interviews both established graffiti artists and new practitioners of avant-garde forms of art in public spaces – such as Knit Graffiti and Street Training – and traces the art-historical lineage of these abstract trends. Addressing such issues as street art as a form of protest, graffiti as a crime, the place of street art in museums, and the evolution of materials, this book offers unrivalled insight into some of the most exciting and challenging work on the contemporary art scene.