Ultra limited CD box originally issued on Murder Release in a 8 cassettes box set hand-made by Moreno Daldosso back in 1994. Hand pasted cardboard box including a numbered insert. All artworks are reproductions of 1994 originals. CDs are remastered from original tapes.
Recollections, opinions, confessions, revelations, quips, anecdotes, and analyses by, for, and about the art mutants and other creative weirdos working in a rural Northern California college town in the early 1980s. It's like a Philip K Dick short story meets contagious polythelia. Answering questions no one is asking -- it's the BuFMS way. There's no salacious gossip here, no long-festering resentments litigated, no tell-all humiliation porn. If that's your thing, you'll have to content yourself with living to clutch your pearls another day. Not that it's wall-to-wall good manners.
Characters and oddballs abound. Some shit-talking, but nothing scandalous like we're used to nowadays. Still, the content of this Encyclopedia Spastica is slanted toward making music, listening to music, making connections because of music: tape experiments, electronic improv, spoken word, live recordings, punk, psychedelic rock, non-music, and general WTF. Not at the exclusion of film and video, though, and radio shows, radio plays, guerilla theater, stand-up comedy, art installations, zines, collages, poetry and fiction, television shows. Activities, projects, experiences, learning, creating, obsessing, giving up, all that, the whole wad. Every page is adorned with supporting visual flyers and posters, paintings and drawings, newspaper clippings, photos and stills from film, television and video production, prints, personal correspondence, interview transcriptions, and autobiography excerpts. 28th Day, Vomit Launch, Serious Problmz, Bicycle Ballet, Ziplok, Under Glass, KCSC, Beor The Friendly Thing, Jett Hotcomb, The Conduits, Daily Planet, Unlikely Modernists, Man Overboard, The Viper, EL&C, The Protons, Glands of External Secretion, Chaplain Addington, Doug Roberts, and Bren't Lewiis Ensemble
This formidable oversized hardcover runs 288 pages (including a 32-page color section), and combines hundreds of unseen early Hellhammer and Celtic Frost photos with a vast treasure trove of artwork and memorabilia. A substantial written component by Fischer details his upbringing on the outskirts of Zurich, Switzerland, and the hardships and triumphs he faced bringing the visions of his groundbreaking bands Hellhammer and eventually Celtic Frost to reality. In addition, the book includes an introduction by Nocturno Culto of Norwegian black metal act Darkthrone, and a foreword by noted metal author Joel McIver.
Without question Only Death Is Real goes farther than any other source in exploring the origins of underground heavy metal. The wealth of visual information is astounding, both in terms of documenting early 1980s headbangers and exposing the still-relevant imagery of the first Hellhammer and Celtic Frost photo sessions. On top of that, the written chapters combine Tom Fischer s often shocking stories with lengthy quotes from Martin Eric Ain and the other main Hellhammer members, explaining in intimately human terms how extreme metal was born.
The first-ever in-depth biography of iconoclastic Sydney punk band Radio Birdman.
'Radio Birdman live brought loyalty as strong and powerful as their music. Yeah hup!' Anthony Albanese, PM and fan
'Radio Birdman are analogous to dark matter: largely unseen yet profoundly influential.' Brad Shepherd, Hoodoo Gurus
'Murray's raw passion somehow doesn't mess with his skill to present the story, the context and the truth.' Tim Rogers, You Am I and The Hard-Ons
Sydney's legendary Radio Birdman were a stake through the satin and scarfed hearts of the mid seventies' music scene, revolutionising the conservative Australian industry in the process. Regarded as one of the earliest punk bands, before the world had heard of the Sex Pistols, Birdman were feared and loathed by many, yet adored by fiercely loyal fans. But their story has never been told in depth-until now.
Murray Engleheart's Radio Birdman: Retaliate First is drawn from more than 150 interviews with the band members, their closest associates, devotees and observers. From tales of singer Rob Younger filling his mouth with sheep brains from a human skull to fans breaking limbs while dancing wildly at gigs and publicans cutting the power in a desperate bid to halt their force-of-nature-like performances, the Radio Birdman story is one of confrontation, commitment and inspiration.
With 2024 marking their half-century of existence, and a commemorative tour that may be their last, it's the perfect time to look back over fifty years of the band that never took a backward step and made rock and roll thrilling and dangerous once more. Radio Birdman: Retaliate First is the ultimate insider's guide to how Australia's most hated act were inducted into the ARIA Hall of Fame and became global icons.
'Riveting and insightful.' Stuart Coupe
Idols, an authentic compendium of 1970s’ New York style and attitude, and a confirmed masterpiece, began with an awestruck Larrain visiting Max’s Kansas City in the explosively liberating early years of the gay rights movement, and befriending Taylor Meade and John Noble. Once they came to be photographed, the rest followed. Idols represents a generation of New York’s most talented, outrageous, glamorous, and mostly gay personalities, after spending hours applying original makeup and costumes to pose for Gilles in his now legendary SoHo studio.
Ryan McGinley is a New York based photographer raised in New Jersey. After moving to New York in 1998, he began extensively photographing his downtown environs. He received a BFA in graphic design from Parsons School of Design in 2000. In 2003, at the age of 25, McGinley was the youngest artist to have a solo show at the Whitney Museum of American Art. His work has appeared in galleries and museums worldwide, on the covers of magazines and albums, and has
been collected in five monographs, most recently in Life Adjustment Center (Dashwood, 2010).
This book is signed and second hand and is in great condition.
In Generation Ecstasy, Simon Reynolds takes the reader on a guided tour of this end-of-the-millenium phenomenon, telling the story of rave culture and techno music as an insider who has dosed up and blissed out. A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music.
A rare book about rave culture, second hand in good condition.
This is our lockdown album.
This album is dedicated to the friends we lost along the way. Tell your friends you love them.
credits
released October 14, 2022
Jace: Bass & Guitars
Jem: Drums & Metal Percussion
Jenny Divers: Sax
Recorded by Mike Deslandes at Sound Recordings - Winter MMXXI
Assisted by Alex Bennett | Mixed by Mike and Jem
Mastered by Lachlan Carrick
DEAD smash out a live record in “Classic” two piece mode aka Original Flavour.
You get banger after banger with no fancy studio trickery. At one point Jem sings the wrong words and what the fuck - they just left it in there! Real cowboy stuff.
In 2024 the band toured the US with this album as a “Tour Only” LP and it promptly sold out. In response to the cries of “It’s not fair we missed out” (harden up people, life’s unfair, get used to it) the band have made a second edition available for mail order and record stores. And then it’s not getting re-pressed. We really mean it this time. To quote Eminem “You only get one shot, do not miss your chance to blah blah.”
Comes with a download, not available on any of the sweatshop streaming services - seriously, be an adult; buy original music. It’ll change your life.
Forget online specials, we've got a REAL-LIFE BONUS: Come in-store to collect the new ALIVE! DEAD record IN PERSON and you get to choose a FREE split 7". Only while we got em'...
Single sided limited run Red vinyl (only 100 copies) of individually signed red vinyl LP of an experimental improvised performance from 2015. The label features an individually hand drawn artwork.
This track was heavily edited into a series of segue vignettes incorporated on the solo album My Script. This is the first time available in its original full form.
Side 2 is engraved with the credits!
