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Home Music Vinyl ZOMBY; Gasp!, EP
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ZOMBY; Gasp!, EP

$23.00

ZOMBY; Gasp!

12″ EP (2017), New

On GASP!, Zomby provokes us yet again with straightforward techno, though it’s not without its eccentricities. GASP! still retains  the aloof flamboyance that’s become Zomby’s calling card—even if that aloofness can sometimes resemble laziness.

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SKU: 43454
Categories: Music, Vinyl

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VITAL 20 Zine: June 1991 – Frans de Waard (Staalplaat) CHOP SHOP

$35.00
Original Xeroxed Zine  -

Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient music, cassette culture and noise, and included contributions from musicians such as Leigh Landy, Godfried Willem Raes, John Duncan, and GX Jupitter-Larsen. Every issue included reviews of cassette releases, LPs, CDs and books. A total of 44 issues were published. Vital moved online in 1995, where it appeared every week since as Vital Weekly.

Frans de Waard has played with Kapotte Muziek to Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop and Peter Duimelinks, both of whom are also a member of Kapotte Muziek), Zebra (with Roel Meelkop) as well as solo projects under the moniker Freiband and Shifts, and under his own name. De Waard worked for Staalplaat (1992-2003) and since 1986 as a reviewer for his own independent zine publication Vital.  VITAL zine is a lively record of the heyday of cassette culture and industrial music, but also of developments in the wider field of electronic music.

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PURLING HISS; Lounge Lizards

$18.00
PURLING HISS; Lounge Lizards 12", Limited Edition, Numbered (2011), EP With 'Lounge Lizards', Purling Hiss has tapped into a trashy aesthetic that's part of rock'n'roll's DNA. They have got introspective druggy tunes and riff-heavy party songs, both of which romanticize the brilliance of a scuzzy rock burnout. But "burnout" is as good a word as any to convey their brand of rock grit, which is slathered in cruddy production and with a hard emphasis on shredding. Lounge Lizards' six tracks serve as a logical follow up to the bands previous release 'Public Service Announcement' which was also a meeting of catchy hooks and awful production quality. Of course, the sound is presumably intentional and serves a few purposes on the EP, it dampens screams, accents enormous guitar solos, adds density to an already dark song, and muffles instruments' sounds so they bleed together. The effect defines Purling Hiss' sound.
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VITAL 19 Zine – Frans de Waard (Staalplaat) April 1991 – Asmus Tietchens

$35.00
Original Xeroxed Zine  -

Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient music, cassette culture and noise, and included contributions from musicians such as Leigh Landy, Godfried Willem Raes, John Duncan, and GX Jupitter-Larsen. Every issue included reviews of cassette releases, LPs, CDs and books. A total of 44 issues were published. Vital moved online in 1995, where it appeared every week since as Vital Weekly.

Frans de Waard has played with Kapotte Muziek to Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop and Peter Duimelinks, both of whom are also a member of Kapotte Muziek), Zebra (with Roel Meelkop) as well as solo projects under the moniker Freiband and Shifts, and under his own name. De Waard worked for Staalplaat (1992-2003) and since 1986 as a reviewer for his own independent zine publication Vital.  VITAL zine is a lively record of the heyday of cassette culture and industrial music, but also of developments in the wider field of electronic music.

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MY CAT IS AN ALIEN; The rest is silence

$30.00
MY CAT IS AN ALIEN; The rest is silence Double Gatefold LP, Used (2003) My Cat Is An Alien are one of the most prolific groups in the international experimental music scene, with more than 100 records in their first 13 years of activity. Tony Herrington, editor-in-chief & publisher of The Wire magazine, wrote:
Roberto and his brother Maurizio are the highly advanced lifeforms crewing the mysterious starship that goes by the name of My Cat Is An Alien (MCIAA), plotting a quixotic course through three millennia of cosmic music, from the celestial drones of the Pythagorean monochord onwards, to land up in the gravity-free realm of the No-mind
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