$14.00
XDUGEF; Retardant CD
CD (2005) Canned Beef Records
Xdugef has been making Noise since 2005 , an experimentalist and noisician from Los Angeles (USA), whose work is produced from found sources on the internet, from modified electronic toys, circuit bending and self made devices as well expensive button mashing and the occasional computer.His NOISE is comprised of sound bits slowed way down. Also incorporated are elements taken from recorded phone conversations and open mics and other found sounds as well as his own vocals. There is a certain fixation with samples that have been ‘slowed way down’, their low tonal pitch and elongation gives them rather monstrous properties. Plunderphonics meets harshnoise. Electronica meets raw and crude NOISE!
Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient music, cassette culture and noise, and included contributions from musicians such as Leigh Landy, Godfried Willem Raes, John Duncan, and GX Jupitter-Larsen. Every issue included reviews of cassette releases, LPs, CDs and books. A total of 44 issues were published. Vital moved online in 1995, where it appeared every week since as Vital Weekly.
Frans de Waard has played with Kapotte Muziek to Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop and Peter Duimelinks, both of whom are also a member of Kapotte Muziek), Zebra (with Roel Meelkop) as well as solo projects under the moniker Freiband and Shifts, and under his own name. De Waard worked for Staalplaat (1992-2003) and since 1986 as a reviewer for his own independent zine publication Vital. VITAL zine is a lively record of the heyday of cassette culture and industrial music, but also of developments in the wider field of electronic music.