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Home Books WORLD CHAMPIONSHIP WRESTLING (Marvel Comics) Issue #7 (1992); Comic
View cart “DOES ANYBODY EVEN SNIFF GLUE ANYMORE? – D.RAT (Paperback Book + Poster and CD)” has been added to your cart.

WORLD CHAMPIONSHIP WRESTLING (Marvel Comics) Issue #7 (1992); Comic

$20.00

WORLD CHAMPIONSHIP WRESTLING (Marvel Comics) Issue #7 (1992); Comic

Wrestling/WCW/WWF/WWE Comic, Used (Ex+)

Unbelievable wrestling excitement! In this issue you will see: Paul E. Dangerously and his Dangerous Alliance! The lovely Missy Hyatt! A titanic tussle between Ron Simmons and the maniacal Cactus Jack! All this and the most unexpected ending you will ever read! Written by Mike Lackey, with pencils by Ron Wilson.

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SKU: 42129
Categories: Books, Collectibles

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SUN RA’S CHICAGO: Afrofuturism and the city; Paperback Book (2020)

$45.00
Sun Ra, Afro-futurism, Jazz, Free Jazz, Psychedelic, Historic, Documentary, Avant-garde; Paperback Book (314 pages) 2020 - New Sun Ra (1914–93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra’s Chicago, William Sites brings this visionary musician back to earth—specifically to the city’s South Side, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.
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Bad Batch 003

$10.00
Get ready to rock with the latest issue of Bad Batch! Filled to the brim with artist interviews, album and reviews and even colouring in pages!
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Powder Monkeys File Volume One Collects Late 1991-Early 1996

$90.00
Hardcover, 240 pages, printed in colour  

This is WAR , baby, a Rock'n’ Roll war against the grim purveyors of slick- dick commercial shtick and when the smoke clears and the last call sounds, you better be clear about which side you're on! Are you part of the problem , or part of the solution? The Powder Monkeys are playing for keeps.- they don't fuck around, and neither should you. Real rock'n'roll is in short supply these days, and there ain't no room for wimps , geeks or limp wristed creeps here! - Tim Hemensley 1998

 

A wonderful compendium of all published articles, interviews, and reviews, gigs, lineups, flyers, and photos—just about anything and everything that had our name in it—between 1991 and 1996. Meticulously and tirelessly collated, “chronologicalised,” and configured by the Gran Majesté of Rock’n’Roll nerdoriety and chief archivist, the most amazingly amazingest Clinton Rooney. - TJ RAY, 2024

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DECENTRALISATION 3 Jacques Villeglé (Frac Corse); Paperback

$10.00
DECENTRALISATION 3 Jacques Villeglé (Frac Corse); Paperback French exhibition book from Jacques Villeglé's 2001 exhibition at Frac Corse (Corsica), Used (Some cover damage) It has been fifty years now that Jacques Villeglé has chosen his gesture, his expression: fifty years of exploration in a practice that is still alive and which nonetheless belongs to the history of 20th century art, through the group New Realists coordinated by Pierre Restany in 1960, alongside the Arman, the Hain, the Tinguely: a gesture of a collector who chooses and collects on the walls of cities the accumulated and lacerated posters, fragments of images and signs of time. This appropriation of fragments of reality touches both abstract painting and Lettrist poetry; she holds up a mirror to the way in which society constructs its own representation and how the "anonymous lacerator" comes to mark its reaction on the skin of the walls to the world around it. The artist is simply the one who takes these fragments of reality by framing significant details and transforming these rough moments into a painting, thus testifying to contemporary history. Today of international reputation and represented in the largest European and American museums, Jacques Villeglé pays the same attention to the world around him, by taking an interest in and grouping by series his samples of political, advertising posters or even those of electronic music concerts. Villeglé is always a tireless surveyor sensitive to all the significant encounters produced by the uprooting gesture. He is tirelessly enthusiastic to go in search of these riches of everyday culture: also, when he saw photographs of the display columns taken in Bastia by Anne Deleporte, an artist invited by the FRAC for another project, he was ready to come and do his work of sampling ("uncrusting" he says) and preparing a painting in Corsica, sure to find in this memory through the skin of the walls, striking signs of Corsican reality. (French Language Only 48 pages, 100's of colour photos)
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