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Home Books INFERNO: Dante Alighieri; Paperback Book (142 pages)

INFERNO: Dante Alighieri; Paperback Book (142 pages)

$24.00

“Dante and Shakespeare divide the modern world between them. There is no third.” – T. S. Eliot

“Dante’s poem is, for many, the greatest single work of Western literature.” – Ian Thompson.

“I love my Dante as much as the Bible. He is my spiritual food, the rest is ballast.” – James Joyce.

In the middle of our life’s journey, I found myself in a dark wood/Bewildered, and I knew I had lost the way: so opens Dante’s Divine Comedy, “the best book literature has achieved” as Jorge Luis Borges writes.

Dante’s Inferno, one of the greatest works of European literature, and “the most original and audacious treatment of the afterlife in Western literature” dazzles with its vivid and inventive storytelling and imagery. However, it contains much more than poetry and theology; it displays Dante’s wide and comprehensive learning, and his deep understanding of contemporary politics and society. “All life is contained in the poem, for Dante’s was an all-encompassing imagination, that interwove classical philosophy with Catholic doctrine and contemporary politics,” (Ian Thompson).

The thirty-three cantos of Inferno follow Dante, as, guided by the epic poet, Virgil, he travels through the nine descending circles of a freezing Hell, until he meets Satan trapped at the bottom. The Inferno is the most gripping and engaging book of The Divine Comedy, as Dante meets those damned for forbidden love, and all manner of human vices. (The damned, amusingly, include many of Dante’s enemies!) Inferno is the logical conclusion of all that is worst in human life. It is bearable only because Dante eventually emerges.  The Divine Comedy was written over a period of twenty years towards the end of Dante’s life. It was appreciated as a masterpiece soon after its completion, and it has captivated both readers and the Western imagination ever since.  The Inferno is the most widely translated book after the Bible. This edition is translated by the celebrated poet, Henry Wadsworth Longfellow.

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SKU: 32386
Category: Books

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DECENTRALISATION 3 Jacques Villeglé (Frac Corse); Paperback

$10.00
DECENTRALISATION 3 Jacques Villeglé (Frac Corse); Paperback French exhibition book from Jacques Villeglé's 2001 exhibition at Frac Corse (Corsica), Used (Some cover damage) It has been fifty years now that Jacques Villeglé has chosen his gesture, his expression: fifty years of exploration in a practice that is still alive and which nonetheless belongs to the history of 20th century art, through the group New Realists coordinated by Pierre Restany in 1960, alongside the Arman, the Hain, the Tinguely: a gesture of a collector who chooses and collects on the walls of cities the accumulated and lacerated posters, fragments of images and signs of time. This appropriation of fragments of reality touches both abstract painting and Lettrist poetry; she holds up a mirror to the way in which society constructs its own representation and how the "anonymous lacerator" comes to mark its reaction on the skin of the walls to the world around it. The artist is simply the one who takes these fragments of reality by framing significant details and transforming these rough moments into a painting, thus testifying to contemporary history. Today of international reputation and represented in the largest European and American museums, Jacques Villeglé pays the same attention to the world around him, by taking an interest in and grouping by series his samples of political, advertising posters or even those of electronic music concerts. Villeglé is always a tireless surveyor sensitive to all the significant encounters produced by the uprooting gesture. He is tirelessly enthusiastic to go in search of these riches of everyday culture: also, when he saw photographs of the display columns taken in Bastia by Anne Deleporte, an artist invited by the FRAC for another project, he was ready to come and do his work of sampling ("uncrusting" he says) and preparing a painting in Corsica, sure to find in this memory through the skin of the walls, striking signs of Corsican reality. (French Language Only 48 pages, 100's of colour photos)
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Powder Monkeys File Volume One Collects Late 1991-Early 1996

$90.00
Hardcover, 240 pages, printed in colour  

This is WAR , baby, a Rock'n’ Roll war against the grim purveyors of slick- dick commercial shtick and when the smoke clears and the last call sounds, you better be clear about which side you're on! Are you part of the problem , or part of the solution? The Powder Monkeys are playing for keeps.- they don't fuck around, and neither should you. Real rock'n'roll is in short supply these days, and there ain't no room for wimps , geeks or limp wristed creeps here! - Tim Hemensley 1998

 

A wonderful compendium of all published articles, interviews, and reviews, gigs, lineups, flyers, and photos—just about anything and everything that had our name in it—between 1991 and 1996. Meticulously and tirelessly collated, “chronologicalised,” and configured by the Gran Majesté of Rock’n’Roll nerdoriety and chief archivist, the most amazingly amazingest Clinton Rooney. - TJ RAY, 2024

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RAGE A Sharpie’s Journal Melboourne 1974-1980; Julie Mac

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Rampage with Julie Mac and the Sharpies on a grouse adventure as they fight, kick and punch through their turbulent teenage years on the unsuspecting streets of 1970s Melbourne. It was a time when bolting from the cops, stooging the ticket inspectors, drinking, spewing, pashing and rooting were all in a night's work for this unique Australian sub-culture.
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ANSWER ME! The First Three; (Jim Goad) Paperback Book

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ANSWER ME! The First Three; (Jim Goad) Paperback Book Paperback Book, Used First press compilation of the first three issues of Jim and Debbie Goads socially pathological and controversial magazine, published between 1991 and 1993.  This first edition was released through 'AK Press' in 1995.  This has become a very sought after and collectible item and is the last copy we have left in stock.
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