$95.00
n 2004, before the advent of social media as a global phenomenon, photographer Patrick O’Dell launched the celebrated blog ‘Epicly Later’d’, dedicated to documenting the adventure and mayhem of the NYC skate/music/downtown scene. Two decades later, the influence of O’Dell’s work is apparent, and the original photographs still astonish. Compiled by O’Dell and editor Jesse Pearson, this title collects the best of the blog into a body of work that’s evocative wildly compelling.Patrick O’Dell is a photographer, photo editor, filmmaker, and skateboarder from Columbus, Ohio. In addition to the creation of the seminal photoblog Epicly Later’d, his work includes serving as a photographer for Thrasher magazine and photo editor for Vice. He also created and produced the webshow and television adaptations of ‘Epicly Later’d’, and is an acclaimed director of music videos and the film ‘Dumb: The Story of Big Brother Magazine’.
Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient music, cassette culture and noise, and included contributions from musicians such as Leigh Landy, Godfried Willem Raes, John Duncan, and GX Jupitter-Larsen. Every issue included reviews of cassette releases, LPs, CDs and books. A total of 44 issues were published. Vital moved online in 1995, where it appeared every week since as Vital Weekly.
Frans de Waard has played with Kapotte Muziek to Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop and Peter Duimelinks, both of whom are also a member of Kapotte Muziek), Zebra (with Roel Meelkop) as well as solo projects under the moniker Freiband and Shifts, and under his own name. De Waard worked for Staalplaat (1992-2003) and since 1986 as a reviewer for his own independent zine publication Vital. VITAL zine is a lively record of the heyday of cassette culture and industrial music, but also of developments in the wider field of electronic music.