Rare as shit! 1981 Corgi issue.
Christiane F. was a young prostitute in Berlin in 1978. In a two-month interview with two journalists from the news magazine Stern, Kai Herrmann and Horst Rieck, she told her story of life with drugs and prostitution that she and other teenagers in West Berlin experienced in the 1970s.
An anthropological document that fully achieves its purpose of formulating-fabricating-destroying the 'other' a la the opening De Quincey quote.
tThe social, moral, and artistic implications of a lynching text that is explicitly about a Caucasian male - the most fascinating element of the word-areas of Marty Page are those that reinterpret a historically racist act through the visor of an aesthete. More going on than meets the eye.
This is a real horrorshow, Marty Page reads like notes for extreme performance art or maybe a forbidden sacred text. Bladh’s background in multidisciplinary fields allows him to deliver a bleakly convincing script here.
Amphetamine Sulphate - Paperback Book (New)
Captagon is a short, forceful mashup of assorted texts detailing instances of wartime cruelty and institutional malfeasance. Broken up into brief chapters whose characters come and go across eras and continents, their whereabouts handily mapped out in an index at the back along with a list of all the author’s wide range of sources. Taking in art, music and literary criticism, the Philip Best worldview is consistently compelling but be aware, pretty it ain’t.
Gary Mundy is the founding member of Ramleh, and ran the legendary label Broken Flag. In this frank memoir, Mundy examines themes of alienation, depression, artistic practice and what it means to be alive.
Amphetamine Sulphate - Paperback Book (New)
Originated by Tomato, this work is closely related to the message and imagery of techno band Underworld's music, creating a typographic map of a journey through the streets of New York.
This book is secondhand and is in great condition
Rat Scabies And The Holy Grail is a 2005 book written by Christopher Dawes, published by Sceptre Books in the UK and Thunder's Mouth Press in the US. It is a gonzo-esque quest to find the Holy Grail by punk rock legend Rat Scabies, the one-time drummer of The Damned, with whom Dawes strikes up a friendship when the two become neighbours in the London suburb of Brentford.[1][2][3][4]
"The book, which has been described as "The Da Vinci Code gets the punk rock treatment" (The Bookseller), begins with Scabies introducing Dawes to the alleged mystery of Rennes-le-Château, a remote French village associated with all manner of esotericconspiracy theories. Scabies and Dawes make several trips to Rennes-le-Château and also visit other places said to be linked to the Holy Grail, including Rosslyn Chapel in Scotland. The book is an often hilarious account of the pair’s adventures - they even manage to wangle themselves an invitation to a Knights Templar initiation ceremony - and its supporting cast of characters includes Henry Lincoln (the author of Holy Blood, Holy Grail) and a CIA operative, plus assorted treasure hunters, occultists, alien channelers, reincarnated medieval heretics, and numerous members of secret societies." Wikipedia
Midnight Oil are one of the most 'Australian' rock bands this country has produced.
Born from the Australian pub rock scene that gave us AC/DC, Cold Chisel and INXS, the Oils were able to break out of that scene without compromising themselves in any way. Indeed, their breakthrough overseas record was the most Australian album they made.
But it wasn't just the subject matter that made them fiercely Australian; it was their stubborn independence, and their refusal to play the rock'n'roll game and respect its rules and masters. But more than any of this is the adrenaline rush of an Oils show. Performances so intense that witnesses swore they had seen the greatest Oils gig ever! Such was the belief that something so powerful could surely not take place regularly.
When they took this overseas, audiences could often not understand a word they were saying, but musically they recognised a common language: powerful, unadulterated live performances.
There is no band whose live shows are spoken of with the same awe as the Oils.
Kiddiepunk is proud to present “And I Could Not Have Hurt You” a new book of poems by Robbie Coburn. This harrowing collection consists of 36 sombre and piercing poems exploring death, loss, depression and self-harm. Presented in three sections, the poems form a fractured and harrowing narrative that doubles as a descent into the abyss.
Gainsbourg, French, Jazz, Pop, Playboy; Paperback Book - VG Used condition (Light creasing in covers)
In this, the first English biography to capture Gainsbourg in all his contradiction and gleeful outrageousness, Simmons tells the fascinating story of the Gallic star. Drawing on hours of new interviews with his intimates-among them Jane Birkin, Sly & Robbie, Marianne Faithfull, and celebrated producer Philippe Lerichomme-Simmons describes in crackling prose the scope of Gainsbourg's achievement while doing full justice to his complicated emotional life. Simmons's work will stand as the definitive take on a dizzying genius.
Sun Ra, Afro-futurism, Jazz, Free Jazz, Psychedelic, Historic, Documentary, Avant-garde; Paperback Book (314 pages) 2020 - New
Sun Ra (1914–93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra’s Chicago, William Sites brings this visionary musician back to earth—specifically to the city’s South Side, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.
