Rare as shit! 1981 Corgi issue.
Christiane F. was a young prostitute in Berlin in 1978. In a two-month interview with two journalists from the news magazine Stern, Kai Herrmann and Horst Rieck, she told her story of life with drugs and prostitution that she and other teenagers in West Berlin experienced in the 1970s.
In the 1970s, photographer Hugh Holland masterfully captured the burgeoning culture of skateboarding against a sometimes harsh but always sunny Southern California landscape. This never-before-published collection showcases his black-and-white photographs that document young skateboarders sidewalk surfing off Mulholland Drive in concrete drainage ditches and empty swimming pools in a drought-ridden Southern California. From suburban backyard haunts to the asphalt streets that connected them, this was the place that inspired the legendary Dogtown and Z-Boys skateboarders. With their requisite bleached-blond hair, tanned bodies, tube socks and Vans, these young outsiders evoke the sometimes reckless but always exhilarating origins of skateboarding lifestyle and culture.
A photo book from the famous skate magazine Jenkem Magazine, published in honor of the magazine's 10th anniversary. The book charts the first 10 years of the magazine's existence. Inside you will find articles, photos of skateboarding, communities, illustrations, magazine covers and more.
Compendium Mindbendium is a book of art by lowbrow artist Mike "Fox" Foxall collecting poster / flyer art, tshirt / album designs, comics, paintings and illustrations from the past 15 years or so. Frequent dwellers of the underground rock and roll scene will clock many of the pieces from their travels amongst merch desks and record stores, so expect to recognise images celebrating bands such as The Neptune Power Federation, Frenzal Rhomb, King Parrot, Nashville Pussy, Gorilla, The Hard-Ons, Astrodeath, Dr Colossus, Alien Nosejob, Sick Fizz, Dr Colossus, Black Aces, Where's The Pope?, Nancy Vandal, Guttermouth, Downgirl, The Veebees, The Stripp and many many more.
An Australian’s journey from the suburbs to original punk-era Sydney and beyond. Operating record labels, designing & printing rock posters, running amok with fireworks into the night – all to the soundtrack of some of the region’s best-ever contemporary music. In pursuit of even more, he evolved into a Global traveller and World Citizen of no fixed address.
Within ‘CRAIC as it happened’ you will find discourses on: Radio Birdman / Lou Reed / The Saints / The Birthday Party / Television / Lydia Lunch / Bob Dylan / Neil Young / Kraftwerk / Iggy Pop / Punk-Era Sydney / White Light Records / Phantom Records / Red Eye Records / Beasts of Bourbon / The Crystal Set / Mixed Relations / The Cruel Sea / Steve Kilbey / Killing Time / The Clouds / Buying Toys / Selling Antiques / Dealing in Art / Living in Paris / Living in New York / Visiting Cuba / Ralph Records / Polydor Records & PolyGram / Designing Posters / Making Records / Buying & Selling Collectable Records / Bands Seen / Books to Read / Being a Kid / Becoming a Teenager / Friends, Lawyers & Lovers. Loads of observations, laughs and pictures - all as it happened.
John Foy is a former graphic designer and poster artist who also ran two prominent independent record labels during Australian music’s particularly golden era in the 1980’s & 90’s.
John is also a great friend to us here at Trash Cult and we are super excited to have signed copies of his his new book in stock.
Masterful music producer-engineer Tony Cohen defined Australia’s punk and rock sounds in the late ’70s and ’80s. His long and celebrated career took him from the studios of Melbourne to West Berlin and Abbey Road. Half Deaf, Completely Mad is an exuberant, hilarious, tragic and triumphant memoir that reveals a chaotic genius who lived hard and loud.In candid reflections, Tony’s decades-long relationship with Nick Cave and his bands – Boys Next Door, The Birthday Party, Nick Cave and the Bad Seeds – is well documented, along with behind-the-scenes classic recordings by Laughing Clowns, Models, The Reels, The Birthday Party, The Go-Betweens, Hunters & Collectors, Cold Chisel, Beasts of Bourbon, The Saints, X, The Cruel Sea, Paul Kelly and so many more.
The ‘80s were so good because you could experiment without any kind of fear of consequence. – Kate Ceberano
The ‘80s.The era of Hawke, a booming economy, big hair, genderbenders and the new-wave synth-pop explosion.
Every Sunday night, Australians would be glued to Countdown to watch the latest and local bands strut their stuff. Bands who became household names and soundtracked our lives in one of the most colourful and creative decades in Australian music.
I Hear Motion is a celebration of the Aussie bands we loved: Models, Machinations, Wa Wa Nee, Real Life, Kids in the Kitchen, Do-Re-Mi, Koo De Tah, Eurogliders, Boom Crash Opera and more – and what happened to them following the end of the decade. With interviews, never-before seen photos and archives of the time, plus never-before told stories about the songs, bands, excesses and break-ups, I Hear Motion is a must-have for every Australian music fan.
