Bell Publishing Company, 1970. hardcover. Very Good/Very Good. 9x8x1. Dust jacket has shelf wear, scuffs and is faded. Black boards with yellow cloth spine is lightly worn head/tail of spine. Interior clean.Photos and stories of curiosities and wonders, eccentrics, and the grotesque, all edited by Barry Humphries (Dame Edna.)
A photo book from the famous skate magazine Jenkem Magazine, published in honor of the magazine's 10th anniversary. The book charts the first 10 years of the magazine's existence. Inside you will find articles, photos of skateboarding, communities, illustrations, magazine covers and more.
Compendium Mindbendium is a book of art by lowbrow artist Mike "Fox" Foxall collecting poster / flyer art, tshirt / album designs, comics, paintings and illustrations from the past 15 years or so. Frequent dwellers of the underground rock and roll scene will clock many of the pieces from their travels amongst merch desks and record stores, so expect to recognise images celebrating bands such as The Neptune Power Federation, Frenzal Rhomb, King Parrot, Nashville Pussy, Gorilla, The Hard-Ons, Astrodeath, Dr Colossus, Alien Nosejob, Sick Fizz, Dr Colossus, Black Aces, Where's The Pope?, Nancy Vandal, Guttermouth, Downgirl, The Veebees, The Stripp and many many more.
An Australian’s journey from the suburbs to original punk-era Sydney and beyond. Operating record labels, designing & printing rock posters, running amok with fireworks into the night – all to the soundtrack of some of the region’s best-ever contemporary music. In pursuit of even more, he evolved into a Global traveller and World Citizen of no fixed address.
Within ‘CRAIC as it happened’ you will find discourses on: Radio Birdman / Lou Reed / The Saints / The Birthday Party / Television / Lydia Lunch / Bob Dylan / Neil Young / Kraftwerk / Iggy Pop / Punk-Era Sydney / White Light Records / Phantom Records / Red Eye Records / Beasts of Bourbon / The Crystal Set / Mixed Relations / The Cruel Sea / Steve Kilbey / Killing Time / The Clouds / Buying Toys / Selling Antiques / Dealing in Art / Living in Paris / Living in New York / Visiting Cuba / Ralph Records / Polydor Records & PolyGram / Designing Posters / Making Records / Buying & Selling Collectable Records / Bands Seen / Books to Read / Being a Kid / Becoming a Teenager / Friends, Lawyers & Lovers. Loads of observations, laughs and pictures - all as it happened.
John Foy is a former graphic designer and poster artist who also ran two prominent independent record labels during Australian music’s particularly golden era in the 1980’s & 90’s.
John is also a great friend to us here at Trash Cult and we are super excited to have signed copies of his his new book in stock.
Masterful music producer-engineer Tony Cohen defined Australia’s punk and rock sounds in the late ’70s and ’80s. His long and celebrated career took him from the studios of Melbourne to West Berlin and Abbey Road. Half Deaf, Completely Mad is an exuberant, hilarious, tragic and triumphant memoir that reveals a chaotic genius who lived hard and loud.In candid reflections, Tony’s decades-long relationship with Nick Cave and his bands – Boys Next Door, The Birthday Party, Nick Cave and the Bad Seeds – is well documented, along with behind-the-scenes classic recordings by Laughing Clowns, Models, The Reels, The Birthday Party, The Go-Betweens, Hunters & Collectors, Cold Chisel, Beasts of Bourbon, The Saints, X, The Cruel Sea, Paul Kelly and so many more.
Author: Jane Gazzo, Andrew P Street
The ’90s was a magical time for Australian music. The Big Day Out and Triple J went national and suddenly everyone was getting a 3-piece together and gigging in the inner-city pubs of their town. This volume is a celebration and a documentation of this fertile period with never-before-seen photos and archives from the time and never before told stories about the songs, bands, festivals and break-ups from the artists and industry folk who were there. Sound As Ever is named after the eponymous Facebook Group co-founded by Jane Gazzo that is a very dynamic space with over 18,000 members.
The ‘80s were so good because you could experiment without any kind of fear of consequence. – Kate Ceberano
The ‘80s.The era of Hawke, a booming economy, big hair, genderbenders and the new-wave synth-pop explosion.
Every Sunday night, Australians would be glued to Countdown to watch the latest and local bands strut their stuff. Bands who became household names and soundtracked our lives in one of the most colourful and creative decades in Australian music.
I Hear Motion is a celebration of the Aussie bands we loved: Models, Machinations, Wa Wa Nee, Real Life, Kids in the Kitchen, Do-Re-Mi, Koo De Tah, Eurogliders, Boom Crash Opera and more – and what happened to them following the end of the decade. With interviews, never-before seen photos and archives of the time, plus never-before told stories about the songs, bands, excesses and break-ups, I Hear Motion is a must-have for every Australian music fan.
Paul Yore is one of Australia’s most thought-provoking and consequential multidisciplinary artists. Born in Naarm/Melbourne in 1987, he lives and works on Gunaikurnai Country in Gippsland, Victoria, and completed his studies in painting, archaeology and anthropology at Monash University in 2010. Yore’s work engages with the histories of religious art and ritual, queer identity, pop culture and neo-liberal capitalism, recasting a vast array of found images, materials and texts into sexually and politically loaded tableaux and assemblages which celebrate hybrid and fluid identities, unstable and contradictory meanings, and the glowing horizon of queer worldmaking.Paul Yore: WORD MADE FLESH is an expansive and exciting monograph on the work of one of Australia’s leading contemporary artists. The book brings together work and themes emergent from throughout Paul Yore’s career as well as new work, imagery and insights from his 2022 survey exhibition at ACCA, also titled WORD MADE FLESH.
The 416-page publication is an object that is comprehensive in its written content and deeply considered in its design. The design and materiality of the book directly responds to iconography, principles, materiality, histories and ideas that the artist explores in his practice. For example, the die-cut hole on the cover gestures a subversive perforation – the breaking and pushing of a medium – while internal pages thread together thought-provoking forms and ideas by layering drawings, images, colour, typography and scale to invite an active reading experience. Rich and detailed imagery of Yore’s multidisciplinary practice is accompanied by specially commissioned texts by leading Australian and international artists, scholars and commentators such as Tony Albert, hanna baer, Mikala Dwyer, Daniel Fountain, Helen Hughes and Bruce LaBruce. An extended interview with Paul Yore by Max Delany delves into the artist’s biography and provides further context to the references that are threaded through his practice to date.
This book is limited to 1000 copies
